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Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  3. The Lake
The Lake, David Hockney, 1969 (published 1970)
David Hockney, PorträtDavid HockneyVereinigtes Königreich, 1937–2026

The Lake

1969 (published 1970) · Print · 35.24 × 20.16 cm

Darf man es sehen?

Empfängt derzeit nicht

Minneapolis Institute of Art

Minneapolis, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1969 (published 1970)
19372026
Inventarnummer
P.74.52

Im Katalog

DruckgrafikRadierungNachkriegskunst20. JahrhundertEngland

Quellen

  • Minneapolis Institute of Art
  • Bild: Minneapolis Institute of Art — © David Hockney

Derweil im Leben von David Hockney

Das ganze Leben
  1. 1966–1978

    Stage designer: “Ubu Roi” and the Glyndebourne operas

    Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.

  2. 1967 · Auszeichnung

    John Moores Painting Prize

  3. from 1968

    Double portraits of friends, lovers and relatives

    From 1968, and for the next few years, Hockney paints portraits and double portraits of friends, lovers and relatives just under life-size, in a realistic style that adroitly captures the likenesses. He returns to the portrait throughout his career, creating over 300 self-portraits.

  4. 27. Juni 1968 – 6. Oktober 1968

    Exhibition: 4. documenta

  5. by 1970

    A retrospective at London’s Whitechapel Gallery

    By 1970 London’s Whitechapel Gallery has organised the first of several major retrospectives of Hockney’s work, which subsequently travel to three European institutions.

Mehr von David Hockney

Alle Werke
American Collectors (Fred and Marcia Weisman), David Hockney, 1968

American Collectors (Fred and Marcia Weisman)

1968 · Art Institute of Chicago

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Arrival (plate 1) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Arrival (plate 1) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Drinking Scene (plate 4) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Drinking Scene (plate 4) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

Meeting the Other People (plate 8) from A Rake's Progress, David Hockney, 1961–62, published 1963

Meeting the Other People (plate 8) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

The Seven Stone Weakling (plate 3a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Seven Stone Weakling (plate 3a) from A Rake's Progress

1961–62, published 1963 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: Minneapolis Institute of Art

Museumsseite
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34