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  3. The Hero
The Hero, George Grosz, c. 1933
Grosz, George, PorträtGrosz, GeorgeDeutschland, 1893–1959

The Hero

c. 1933 · Print

Darf man es sehen?

Empfängt derzeit nicht

Whitney Museum of American Art

New York City, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

c. 1933
18931959
Inventarnummer
33.83.4

Im Katalog

DruckgrafikLithografieModerne20. Jahrhundert

Quellen

  • Whitney Museum of American Art
  • Bild: Whitney Museum of American Art — © the artist or rights holder

Derweil im Leben von Grosz, George

Das ganze Leben
  1. 1928–1933 · Wohnort

    Wilmersdorf

  2. June 1932

    An invitation to teach in New York

    Bitterly anti-Nazi, Grosz accepts an invitation to teach the summer semester at the Art Students League of New York; in October 1932 he returns to Germany.

  3. 1933

    A break with the past: a new style and subjects

    In America Grosz resolves to make a clean break with his past and changes his style and subject matter: in place of his corrosive vision of the city he paints conventional nudes and many landscape watercolours. In his autobiography he writes that much that had frozen within him in Germany melted in America and that he deliberately destroyed a part of his past.

  4. 12 – 23 January 1933

    Emigration to the United States

    On 12 January 1933 Grosz and his family emigrate to the United States; their ship docks in New York on 23 January, a week before Hitler comes to power in Berlin.

  5. 1933–1945

    His work is classed as “degenerate art”

    In Nazi Germany Grosz's work is classed as 'degenerate art'.

  6. 1933–1955

    Teaching at the Art Students League

    Grosz teaches at the Art Students League of New York until 1955; his students include Romare Bearden, who was influenced by his collage style, Joseph Glasco and Robert Cenedella, whom he mentored from 1957 to 1959.

Mehr von Grosz, George

Alle Werke
The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · Museum of Modern Art

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · Museum of Modern Art

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

Nicht ausgestellt · National Gallery of Art

In The Drawing Room [The Art Critics], George Grosz, late 1920s

In The Drawing Room [The Art Critics]

late 1920s · Nicht ausgestellt · National Gallery of Art

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · Nicht ausgestellt · Museum of Modern Art

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · Nicht ausgestellt · National Gallery of Art

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · Nicht ausgestellt · Museum of Modern Art

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Whitney Museum of American Art

Museumsseite
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Early Sunday Morning, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026