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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  2. Smithsonian American Art Museum/
  3. The Good Luck Branch
The Good Luck Branch, Helen Hyde, 1907

The Good Luck Branch

1907 · Graphic Arts-Print · 15.6 × 16.5 cm

Angaben

1907 · mit 39 Jahren
18681919
Inventarnummer
1992.13.49

Mehr von Helen Hyde

Alle Werke

Nachbarn im Haus: Smithsonian American Art Museum

Museumsseite

Zum selben Thema · Friendship

Alle Werke zum Thema
Helen Hyde, PorträtHelen HydeVereinigte Staaten, 1868–1919

Darf man es sehen?

Unbekannt

Smithsonian American Art Museum

Washington, D.C., Vereinigte Staaten

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

FriendshipWillowJapanese dressClothing and dressState of beingFoliageKindEmotions

Im Katalog

DruckgrafikHolzschnittModerne20. Jahrhundert

Quellen

  • Smithsonian American Art Museum
  • Bild: Smithsonian American Art Museum — CC0
Untitled (Girl Holding Pink Flowers), Helen Hyde, n.d.

Untitled (Girl Holding Pink Flowers)

n.d. · Nicht ausgestellt · Art Institute of Chicago

Sausalito, Helen Hyde, ca. 1896-1898

Sausalito

ca. 1896-1898 · Smithsonian American Art Museum

Totty, Helen Hyde, 1896

Totty

1896 · Smithsonian American Art Museum

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · Nicht ausgestellt · Art Institute of Chicago

The Shower, Helen Hyde, 1897

The Shower

1897 · Nicht ausgestellt · Art Institute of Chicago

Hide and Seek, Helen Hyde, 1897

Hide and Seek

1897 · Smithsonian American Art Museum

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · Smithsonian American Art Museum

Mother and Child, Helen Hyde, 1897

Mother and Child

1897 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Allegorie op de tijd, dood en vriendschap, William Blake, 1796

William Blake

Allegorie op de tijd, dood en vriendschap, 1796

Rijksmuseum Amsterdam

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., Allen Ginsberg, 1986, printed 1996

Allen Ginsberg

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., 1986, printed 1996

Nicht ausgestellt · National Gallery of Art

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, Gordon Parks, August 1943, printed later

Gordon Parks

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, August 1943, printed later

Nicht ausgestellt · National Gallery of Art

Ornament met opdracht aan Andries Schoemaker en Christoffel Beudeker, anonymous, 1731

anonymous

Ornament met opdracht aan Andries Schoemaker en Christoffel Beudeker, 1731

Rijksmuseum Amsterdam

Amadeus Berutti met Strengheid (Austeritas) en Vriendschap (Amicitia) en Liefde (Amor), Marcantonio Raimondi, 1510 - 1517

Marcantonio Raimondi

Amadeus Berutti met Strengheid (Austeritas) en Vriendschap (Amicitia) en Liefde (Amor), 1510 - 1517

Rijksmuseum Amsterdam

Ontmoeting tussen vrienden, Daniel Nikolaus Chodowiecki, 1795

Daniel Nikolaus Chodowiecki

Ontmoeting tussen vrienden, 1795

Rijksmuseum Amsterdam

Drie voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

Daniel Nikolaus Chodowiecki

Drie voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum Amsterdam

Zes voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

Daniel Nikolaus Chodowiecki

Zes voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum Amsterdam