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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  1. Sammlung/
  2. Harvard Art Museums/
  3. The First Steps
The First Steps, Jean-Honoré Fragonard, c. 1780-1785
Jean-Honoré Fragonard, PorträtJean-Honoré FragonardFrankreich, 1732–1806

The First Steps

c. 1780-1785 · Painting

Über das Gemälde

The First Steps and The Beloved Child date from a period of close collaboration between Fragonard and Marguerite Gérard, his pupil and sister-in-law. The tightness of the foliage and the figures, as well as the compositional structure, suggests Fragonard’s academic training, which is further evident in his drawing for The First Steps, also in the Harvard Art Museums’ collections. However, the sumptuous rendering of the fabrics and the refined brushwork of the mothers’ faces reveal the hand of his pupil, who emerged as a master in her own right by 1790. Both paintings celebrate the joys of maternity, a theme explored in the writings of Jean-Jacques Rousseau. During the French Revolution, motherhood was linked to the ideals of social regeneration, and in 1792 a reproductive print of The First Steps was dedicated to “good Mothers.”

Harvard Art Museums

Angaben

c. 1780-1785
17321806
Inventarnummer
1961.166

Derweil im Leben von Jean-Honoré Fragonard

Das ganze Leben
  1. 1778

    Marguerite Gérard — pupil and assistant

    Fourteen-year-old Marguerite Gérard, his wife's sister, became his pupil and assistant.

  2. 1780

    Birth of his son Alexandre-Évariste

    His son Alexandre-Évariste was born, who later became a talented painter, sculptor and lithographer.

  3. 26. Oktober 1780

    Son born: Alexandre-Évariste Fragonard

Mehr von Jean-Honoré Fragonard

Alle Werke

Im selben Saal · Gallery 2220, floor 2, European and American Art, 17th–19th century, Harvard Art Museums

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Harvard Art Museums

Cambridge, Vereinigte Staaten

Saal2220, floor 2, European and American Art, 17th–19th century

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 3 Tagen
Unverändert seit
27. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Im Katalog

GemäldeÖlFranzösische MalereiKlassizismus18. JahrhundertFrankreich

Quellen

  • Harvard Art Museums
  • Bild: Harvard Art Museums — © President and Fellows of Harvard College
Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard, ca. 1769

Marie Emilie Coignet de Courson (1716–1806) with a Dog

ca. 1769 · Metropolitan Museum of Art

The Captured Kiss, Jean-Honoré Fragonard, 1750s

The Captured Kiss

1750s · Eremitage

L'Étude, dit aussi parfois Le Chant., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

L'Étude, dit aussi parfois Le Chant.

3e quart du XVIIIe siècle (1750 - 1775) · Louvre

Cascatelles de Tivoli., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

Cascatelles de Tivoli.

3e quart du XVIIIe siècle (1750 - 1775) · Louvre

Diana and Endymion, Jean Honoré Fragonard, c. 1753/1756

Diana and Endymion

c. 1753/1756 · National Gallery of Art

L'orage, dit aussi La Charrette embourbée., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (vers 1759)

L'orage, dit aussi La Charrette embourbée.

3e quart du XVIIIe siècle (vers 1759) · Louvre

Farmer's Children, Jean-Honoré Fragonard, 1760s

Farmer's Children

1760s · Eremitage

The Grand Staircase of the Villa d'Este at Tivoli, Jean-Honoré Fragonard, 1760

The Grand Staircase of the Villa d'Este at Tivoli

1760 · Minneapolis Institute of Art

...I Plunged into Solitude. I Dwelt in the Tree behind me., Odilon Redon, 1896

Odilon Redon

...I Plunged into Solitude. I Dwelt in the Tree behind me., 1896

Gallery of the Louvre, Samuel Finley Breese Morse, 1831-1833

Samuel F. B. Morse

Gallery of the Louvre, 1831-1833

Crown Princess Louise of Prussia and her Sister Frederica of Mecklenburg-Strelitz, After Johann Gottfried Schadow, c. 1825-1850

after Johann Gottfried Schadow

Crown Princess Louise of Prussia and her Sister Frederica of Mecklenburg-Strelitz, c. 1825-1850

Dr. Thomas Dagoumer (1762-1833/1835), Pierre-Paul Prud'hon, 1819

Pierre Prud'hon

Dr. Thomas Dagoumer (1762-1833/1835), 1819

Napoléon-François-Charles-Joseph Bonaparte, Thomas Lawrence, 1818-1819

Thomas Lawrence

Napoléon-François-Charles-Joseph Bonaparte, 1818-1819

The Treehouse in Kerischa, Gottfried Engelmann, c. 1817

Gottfried Engelmann

The Treehouse in Kerischa, c. 1817

Harriet Leavens (1802-1830), Ammi Phillips, c. 1815

Ammi Phillips

Harriet Leavens (1802-1830), c. 1815

Calliope Mourning Homer, Circle of Jacques-Louis David, 1812

Circle of Jacques-Louis David

Calliope Mourning Homer, 1812