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  3. The Entombment
The Entombment, Peter Paul Rubens, about 1612

The Entombment

about 1612 · Painting · 131.1 × 130.2 cm

Über das Gemälde

Peter Paul Rubens depicted the moment after the Crucifixion and before the Resurrection when Christ is placed into the tomb. He is being supported by those closest to him in life: John the Evangelist, in a brilliant red robe, bears the weight of Christ; Mary Magdalene cries in the background; while Mary, the mother of James the Younger and Joseph, bows her head in sorrow. Mary, the mother of Christ, cradles his head and looks heavenward for divine intercession. *The Entombment* was meant to make the viewer's religious experience personal and encourage the faithful to imagine the physical horror of Christ's Crucifixion. Christ's tortured features confront the viewer, and our attention is focused on his corpse, sacrifice, and suffering. Wounds are openly displayed: blood flows from the gaping laceration in Christ's side and the puncture wounds on his hands.

Weiterlesen

Rubens contrasted the living and the dead by juxtaposing the lifeless body and green-tinged skin of Christ with the healthy complexion of St. John. This painting was probably made to serve as an altarpiece in a small chapel, perhaps one dedicated to the Eucharist. The slab on which the body is placed suggests an altar, while the sheaf of wheat alludes to the bread of the Eucharist, the equivalent of Christ's body in the Mass.

JPG

Derweil im Leben von Peter Paul Rubens

Das ganze Leben
  1. 9 January 1610

    Court Painter to the Archducal Couple

    After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.

  2. 1611

    Daughter born: Clara Serena Rubens

  3. January 1611

    Purchase of Land and Construction of a House and Studio

    Rubens acquired a large plot on the Wapper and built a mansion for 10,000 florins with a studio and a gallery for his collection; the fitting-out lasted until 1616, and contemporaries called the house the most beautiful in the city.

  4. 5. Juni 1614

    Son born: Albert Rubens

Mehr von Peter Paul Rubens

Alle Werke

Im selben Saal · Museum East Pavilion, Gallery E202, J. Paul Getty Museum

Museumsseite
J. Paul Getty Museum

Angaben

about 1612 · mit 35 Jahren
15771640
Inventarnummer
93.PA.9

Quellen

  • J. Paul Getty Museum
  • Bild: J. Paul Getty Museum — Open Content
Peter Paul Rubens, PorträtPeter Paul RubensFlandern, 1577–1640

Darf man es sehen?

Ja, es empfängt Besucher

JPG
J. Paul Getty Museum

Los Angeles, Vereinigte Staaten

SaalMuseum East Pavilion, Gallery E202

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vorgestern
Unverändert seit
5. Okt. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

The Union of England and Scotland (Charles I as the Prince of Wales)

1633–34 · Minneapolis Institute of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

ca. 1635 · Metropolitan Museum of Art

Coronation and Assumption of the Virgin, Peter Paul Rubens, 17th century

Coronation and Assumption of the Virgin

17th century · Eremitage

Feast in the House of Simon the Pharisee, Peter Paul Rubens, 17th century

Feast in the House of Simon the Pharisee

17th century · Eremitage

Lioness and Two Lions, Peter Paul Rubens, first half of the 17th century

Lioness and Two Lions

first half of the 17th century · Eremitage

Resurrection of Christ, Peter Paul Rubens, 17th century

Resurrection of Christ

17th century · Eremitage

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens

Saint Teresa of Avila Interceding for Souls in Purgatory

Metropolitan Museum of Art

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist

early or mid-1630s · Metropolitan Museum of Art

Landscape with a Calm (Un Tem[p]s calme et serein), Nicolas Poussin, 1650–1651

Nicolas Poussin

Landscape with a Calm (Un Tem[p]s calme et serein), 1650–1651

Saint John Baptizing in the River Jordan, Nicolas Poussin, about 1635–1640

Nicolas Poussin

Saint John Baptizing in the River Jordan, about 1635–1640

Coast View with the Abduction of Europa, Claude Lorrain, about 1645

Claude Lorrain

Coast View with the Abduction of Europa, about 1645

The Martyrdom of Saint Andrew, Charles Le Brun, 1646–1647

Charles Le Brun

The Martyrdom of Saint Andrew, 1646–1647

Moses Striking Water from the Rock, Jacob Jordaens, about 1645–1650

Jacques Jordaens

Moses Striking Water from the Rock, about 1645–1650

Antoine Singlin, Philippe de Champaigne, about 1646

Philippe de Champaigne

Antoine Singlin, about 1646

Venus and Adonis, Simon Vouet, about 1642

Simon Vouet

Venus and Adonis, about 1642

Christ and the Adulteress, Valentin de Boulogne, about 1618–1622

Valentin de Boulogne

Christ and the Adulteress, about 1618–1622

Im Katalog

GemäldeÖlFlämische MalereiBarock17. JahrhundertFlandern