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  1. Sammlung/
  2. Smithsonian American Art Museum/
  3. The Country Store
The Country Store, Edward Lamson Henry, 1885
Edward Lamson Henry, PorträtEdward Lamson HenryVereinigte Staaten, 1841–1919

The Country Store

1885 · Painting · 29.5 × 51.8 cm

Darf man es sehen?

Ja, es empfängt Besucher

Smithsonian American Art Museum

Washington, D.C., Vereinigte Staaten

SaalLuce Foundation Center, 3rd Floor, 15A

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Gemälde

Edward Lamson Henry collected antiques and architectural remnants throughout his career and incorporated them into his scenes of the age of homespun. A contemporary wrote that “He often makes long journeys in search of the right historical bit . . . in looking at one of his old-time scenes one feels sure that there are no anachronisms and that every least detail has been drawn with loving care and research” (Buff, “Portrait of the Collector as Artist,” Antiques World, April 1981). Scenes such as The Country Store, painted after he and his wife had settled in their home in Cragsmoor, New York, did well in the art market. These images met the desires of antiquarians who imagined a life in a simpler, more picturesque time, before industrialization had changed the American landscape.

Smithsonian American Art Museum

Angaben

1885 · mit 44 Jahren
18411919
Inventarnummer
1979.5.5

Was es zeigt

Description and travelCommercialLandscapeRoadsArchitekturDomesticFigure groupCities and towns

Im Katalog

GemäldeÖlAmerikanische MalereiImpressionismus19. Jahrhundert

Quellen

  • Smithsonian American Art Museum
  • Bild: Smithsonian American Art Museum — CC0

Mehr von Edward Lamson Henry

Alle Werke
Old Hook Mill, Easthampton, Edward Lamson Henry, ca. 1880

Old Hook Mill, Easthampton

ca. 1880 · Smithsonian American Art Museum

The Old Westover House, Edward Lamson Henry, 1869

The Old Westover House

1869 · Nicht ausgestellt · National Gallery of Art

Barnyard in Pennsylvania, Edward Lamson Henry, 1859–60

Barnyard in Pennsylvania

1859–60 · Nicht ausgestellt · Art Institute of Chicago

The Invalid, Edward Lamson Henry, c. 1868-1870

The Invalid

c. 1868-1870 · Nicht ausgestellt · Harvard Art Museums

Interior, Edward Lamson Henry, 1870

Interior

1870 · Smithsonian American Art Museum

The Widower, Edward Lamson Henry, 1873

The Widower

1873 · Smithsonian American Art Museum

The Attack on Chew's House during the Battle of Germantown, 1777, Edward Lamson Henry, 1878

The Attack on Chew's House during the Battle of Germantown, 1777

1878 · Nicht ausgestellt · Art Institute of Chicago

The Message, Edward Lamson Henry, 1893

The Message

1893 · Nicht ausgestellt · Harvard Art Museums

Nachbarn im Haus: Smithsonian American Art Museum

Museumsseite
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934