
Gustave MoreauFrankreich, 1826–1898Darf man es sehen?
Cambridge, Vereinigte Staaten
Saal2120, floor 2, European and American Art, 17th–19th century
Öffentlich ausgestellt. Wer dafür bürgt, steht unten.
1859–1888 · Wirkungsort
Paris
1870–1875
Years without exhibiting: renewing his art
Disturbed by criticism that his work had become formulaic, Moreau stopped exhibiting for a few years and concentrated on renewing his art.
18. September 1875 · Auszeichnung
Knight of the Legion of Honour
1876
Return to the Salon: “Salome”
After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.
1878
“Phaeton” at the World’s Fair stuns Redon
At the 1878 World’s Fair Moreau’s watercolour “Phaeton” so struck Odilon Redon that he wrote of its power to renew old art. Redon, like many critics of the time, saw Moreau’s chief merit in giving traditional painting a new direction, building a bridge between past and future.
1879
Anthony Roux commissions works on La Fontaine’s “Fables”
In 1879 the collector Anthony Roux commissioned several artists, among them Moreau, Baudry, Delaunay, Doré, Gervex, Harpignies, Hébert, Raffaëlli and Ziem, to produce works based on La Fontaine’s Fables.