Stehende Männerakte

1897–1917

Society portraits of Viennese ladies

Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

1900–1907

He returns the advance and keeps the paintings

The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

1902

Son born: Otto Zimmermann

1903

His first solo show at the Secession

The Secession's first solo exhibition was devoted to Klimt and proved exceptionally successful: the artist earned 36,000 kronen.

1905

Klimt and his group leave the Secession

Klimt and his “stylist” followers, who held that art should enter every sphere of life, fell out with the “naturalists”; the decision against Klimt's group was carried by a single vote. For the next three years the group had no joint exhibitions.

1906

The “Kunstschau” group

A year after the split Klimt formed the “Kunstschau” group, or “Klimt group”, which included Carl Moll, Otto Wagner and other leading Austrian artists.