
Rembrandt van RijnNiederlande, 1606–1669Darf man es sehen?
Stockholm, Schweden
Der Eigentümer ist bekannt. Ob es heute ausgestellt ist, sagt das Museum nicht, und Raten haben wir nicht gelernt.
Saint Peter—Jesus’s disciple and the first pope in Rome—turns his grave face to look straight at us. His grim gaze seems to admonish us to think about our deeds and live a Christian life. The key is Peter’s customary symbol. In the seventeenth century, Saint Peter was an important symbol for the papacy and the Catholic Church, but he is a relatively unusual motif for Rembrandt. The directness with which the figure meets the viewer is, however, very characteristic. The chiaroscuro—where the face, hand, and key dramatically emerge from the dark—is also typical of the artist’s work.
Schwedisches Nationalmuseum
1625–1631 · Wirkungsort
Leiden
14. Januar 1628 – 1631
Pupil: Gerrit Dou
1629–1631
Pupil: Isaac de Jouderville
1631–1669 · Wirkungsort
Amsterdam
1634
Marriage to Saskia van Uylenburgh
Rembrandt married Saskia van Uylenburgh, cousin of the art dealer Hendrick van Uylenburgh; the wedding took place in the church of Sint Annaparochie without the artist's relatives. The marriage opened his access to commissions from prosperous burghers.
22. Juni 1634
Married: Saskia van Uylenburgh