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  1. Sammlung/
  2. National Gallery of Art/
  3. Smaller and Smaller
Smaller and Smaller, M.C. Escher, 1956
Maurits Cornelis Escher, PorträtMaurits Cornelis EscherNiederlande, 1898–1972

Smaller and Smaller

1956 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1956 · mit 58 Jahren
18981972
Inventarnummer
1974.28.66

Was es zeigt

Reptile

Im Katalog

DruckgrafikHolzschnittNachkriegskunst20. JahrhundertDutch

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Maurits Cornelis Escher

Das ganze Leben
  1. 1954

    An exhibition for the Mathematical Congress

    In 1954, for the International Congress of Mathematicians in Amsterdam, an exhibition of Escher’s work organised by N. G. de Bruijn opened at the Stedelijk Museum; Roger Penrose and H. S. M. Coxeter were deeply impressed by his intuitive grasp of mathematics. The exhibition took up so much time that in 1954 Escher made only two works.

  2. 27 April 1955

    Knight of the Order of Orange-Nassau

    On 27 April 1955 Escher was made a Knight (fifth class) of the Order of Orange-Nassau; in 1967 Queen Juliana raised him to the rank of Officer.

  3. 1956–1960

    The Penroses and “impossible figures”

    “House of Stairs” (1951) attracted the interest of the mathematician Roger Penrose and his father, the biologist Lionel Penrose; in 1956 they published a paper on impossible objects and later sent Escher a copy. He replied, admiring their continuously rising flights of steps, and enclosed a print of “Ascending and Descending” (1960); he went on to use the Penrose triangle repeatedly, notably in “Waterfall” (1961).

  4. 1957–1959

    Coxeter and “Circle Limit”

    In 1957 the geometer Donald Coxeter, with Escher’s permission, used two of his drawings in a paper on crystal symmetry and sent him a copy; the figure of a hyperbolic tessellation, with tiles shrinking rapidly towards the edge of a circle, “gave him quite a shock” — here was a way to represent infinity on a plane. He called his experiments “Coxetering”; they gave the series of wood engravings “Circle Limit I–IV”, and in 1959 Coxeter concluded that they were accurate to the millimetre.

  5. 1958–1959

    Books on tessellations and on his own graphic work

    In 1958 came the book “Regelmatige vlakverdeling” (“Regular Division of the Plane”), on the systematic build-up of mathematical designs, and in 1959 “Grafiek en tekeningen” (“Graphics and Drawings”), in which Escher himself commented on 76 works. After reading it in 1959 Albert Flocon began a correspondence with the artist and wrote, with André Barre, the book “La Perspective curviligne”.

Mehr von Maurits Cornelis Escher

Alle Werke
Green Sea, M.C. Escher

Green Sea

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Nicht ausgestellt · National Gallery of Art

Portrait, M.C. Escher

Portrait

Nicht ausgestellt · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Nicht ausgestellt · National Gallery of Art

Pond, M.C. Escher

Pond

Nicht ausgestellt · National Gallery of Art

Railroad, M.C. Escher

Railroad

Nicht ausgestellt · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Reptile

Alle Werke zum Thema
The Sun and the Frogs, Marc Chagall, 1927/1930

Marc Chagall

The Sun and the Frogs, 1927/1930

Nicht ausgestellt · National Gallery of Art

Reptile (color test for unidentified print), M.C. Escher, 1968

Maurits Cornelis Escher

Reptile (color test for unidentified print), 1968

Nicht ausgestellt · National Gallery of Art

Stars, M.C. Escher, 1948

Maurits Cornelis Escher

Stars, 1948

Nicht ausgestellt · National Gallery of Art

Snakes, M.C. Escher, 1969

Maurits Cornelis Escher

Snakes, 1969

Nicht ausgestellt · National Gallery of Art

Reptiles, M.C. Escher, 1943

Maurits Cornelis Escher

Reptiles, 1943

Nicht ausgestellt · National Gallery of Art

Convex and Concave, M.C. Escher, 1955

Maurits Cornelis Escher

Convex and Concave, 1955

Nicht ausgestellt · National Gallery of Art

Stars, M.C. Escher, 1948

Maurits Cornelis Escher

Stars, 1948

Nicht ausgestellt · National Gallery of Art

Reptiles, M.C. Escher, 1943

Maurits Cornelis Escher

Reptiles, 1943

Nicht ausgestellt · National Gallery of Art