Сельский праздник, Oswald Achenbach, 19th century
Oswald Achenbach, PorträtOswald Achenbach1827–1905

Сельский праздник

19th century · Painting · 65.5 × 92.8 cm

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Unbekannt

Wo ist „Сельский праздник“ heute? Sammlung: Vyatskiy Art Museum, Kirow. Unbekannt.

Vyatskiy Art Museum

Kirow, Russland

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
Quelle
Das Museum

Über das Gemälde

In den Worten des Museums — auf Russisch

Hа лугу при вечернем солнечном освещении юноши играют в мяч. Справа группы зрителей, слева отдельные человеческие фигуры. Hа втором плане на склоне горы слева густой парк с террасой.

Vyatskiy Art Museum

Angaben

Inventarnummer
Ж-9

Im Katalog

Quellen

  • Der Staatskatalog des Museumsfonds Russlands
  • Bild: Vyatskiy Art Museum — © Вятский художественный музей имени В. М. и А. М. Васнецовых · Госкаталог музейного фонда РФ

Im Leben von Oswald Achenbach

Das ganze Leben
  1. 2. Februar 1827

    Born

  2. 1845

    Trip to northern Italy with Albert Flamm

    With his friend and later pupil Albert Flamm he travels to northern Italy; the paintings that came of it are mostly Italian landscape motifs, and his early work shows the influence of Johann Wilhelm Schirmer and Carl Rottmann (another account has him moving to Bavaria in 1845 and then to Italy).

  3. 11 August 1848

    A founder of the Malkasten

    He is one of the original signatories of the founding document of the Düsseldorf artists’ association “Malkasten” (“Paintbox”), founded on 11 August 1848 by artists opposed to the academy; the associations stage plays, music evenings and exhibitions, and Achenbach often directs and acts. He stays attached to the Malkasten for the rest of his life.

  4. summer 1850

    Olevano: Böcklin, Thiersch and Dreber

    On this trip he gets to know several painters better, among them Arnold Böcklin, Ludwig Thiersch and Heinrich Dreber, with whom he spends a long time at Olevano. Thiersch later remarked how differently they worked: Dreber made elaborate pencil sketches, Böcklin took in the scenery and noted little, while Achenbach and Flamm painted oil studies in the open air.

  5. 1855

    World’s Fair in Paris: a warm reception

    Several of his works are shown at the Exposition Universelle in Paris and are very well received. Works by Gustave Courbet, whose realism may later have influenced his manner, are on show there too.

  6. 1863

    From opponent to professor at the academy

    In March 1863 he becomes professor of landscape painting at the Düsseldorf Academy, succeeding Hans Gude; the post brings social elevation and financial security, though it seems at odds with his earlier opposition. With Schadow gone from the directorship since 1859 the conflicts have eased, and the appointment is a conscious political move to reconcile the academy with independent artists.

Alle Werke

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