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  3. Seated Buddha (lotus pedestal)
Seated Buddha (lotus pedestal), 1100s

Seated Buddha (lotus pedestal)

1100s · Sculpture

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Cleveland Museum of Art

Cleveland, Vereinigte Staaten

Saal235B Japanese

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Geprüft
vor 9 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über die Skulptur

Composed of a number of hollowed-out pieces of wood that were then covered with lacquer and gilding, this sculpture would have served as the principal image of worship in a Buddhist temple hall. The Buddha Yakushi resides in the Lapis Lazuli Paradise of the East, and heals all diseases, including the ailment of ignorance. His left hand once held a medicine jar, while his right hand gestures reassurance. Seated on a lotus pedestal and backed by a mandorla and halo, the Buddha may have once been flanked by the bodhisattvas of the Sun and Moon, Nikkō and Gakkō, and protected by the Twelve Divine Generals, or Junishinshō.

Cleveland Museum of Art

Angaben

Inventarnummer
1973.85.c

Im selben Saal · 235B Japanese, Cleveland Museum of Art

Museumsseite

Im Katalog

SkulpturHolzMittelalterVor 1400Japan, Heian period (794–1185)

Quellen

  • Cleveland Museum of Art
  • Bild: Cleveland Museum of Art — Museum open access
The Illustrated Miraculous Origins of the Yūzū Nenbutsu School, early 1300s

The Illustrated Miraculous Origins of the Yūzū Nenbutsu School, early 1300s

Portrait of Hottō Enmyō Kokushi, c. 1295–1315

Portrait of Hottō Enmyō Kokushi, c. 1295–1315

Seated Buddha, 1100s

Seated Buddha, 1100s

Sun Bodhisattva (Nikkō Bosatsu), c. 800

Sun Bodhisattva (Nikkō Bosatsu), c. 800

Buddha of the Future (Miroku Bosatsu), late 600s

Buddha of the Future (Miroku Bosatsu), late 600s

Prince Shōtoku at Age Two (Shōtoku Taishi), early 1300s

Prince Shōtoku at Age Two (Shōtoku Taishi), early 1300s

Buddha of Infinite Life and Light (Amida Nyorai), Kōshun, 1269

Kōshun

Buddha of Infinite Life and Light (Amida Nyorai), 1269

Zaō Gongen, 1200s

Zaō Gongen, 1200s