Sans désignation, Elisabetta Sirani, 17e siècle
Elisabetta Sirani, PorträtElisabetta SiraniItalien, 1638–1665

Sans désignation

17e siècle · Drawing · 12.8 × 9.7 cm

Darf man es sehen?

Unbekannt

Musée des Beaux-Arts

Nîmes, Frankreich

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
Quelle
Das Museum

Über das Werk

In den Worten des Museums — auf Französisch

Deux sanguines sur papier vergé (filigrané pour le dessin du bas) collées en plein sur un montage ancien avec traits d'encadrement à l'encre noire.

Musée des Beaux-Arts

Angaben

Inventarnummer
693 ; D.11 (numéro dans catalogue ancien)

Was es zeigt

Im Katalog

Quellen

  • Musée des Beaux-Arts
  • Bild: Musée des Beaux-Arts — Musée des beaux-arts, Ville de Nîmes.; Ministère de la Culture (France), base Joconde

Derweil im Leben von Elisabetta Sirani

Das ganze Leben
  1. 8. Januar 1638

    Born

  2. by 1654

    Takes over the family workshop

    By 1654 her father is incapacitated by gout and can no longer work, and Elisabetta takes over the running of the workshop: she becomes the family’s main breadwinner, living on teaching fees and portrait commissions. The studio thrives, helped by the progressive atmosphere of Bologna, where women artists were accepted and celebrated; her sisters Barbara and Anna Maria serve as her assistants.

  3. 28 February 1657

    First major public commission

    At nineteen she receives her first major public commission, from Daniele Granchi, prior of the Carthusian church of the Certosa di Bologna; she will go on to paint at least thirteen public altarpieces.

  4. 1660

    Opens a painting school for women

    She opens a school — the first school of painting for women in Europe outside a convent, open regardless of the women’s artistic and social connections; besides her younger sisters Barbara and Anna Maria she trains at least twelve young women, among them the wood-engraver Veronica Fontana, Caterina Pepoli, Maria Elena Panzacchi, Camelia Lanteri, Lucretia Forni, Veronica Franchi and Ginevra Cantofoli, who was portrayed as Sirani’s rival.

  5. 1665

    Sudden illness and suspicions of poisoning

    She falls suddenly ill; only days earlier the maidservant Lucia Tolomelli had asked to leave the family’s service, and suspicion of poisoning fell on her, though the charges were soon withdrawn. The likely cause is peritonitis after a ruptured ulcer, perhaps brought on by the strain of providing for the whole household.

  6. 28. August 1665

    Died

Alle Werke

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