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  3. Saint Lawrence
Saint Lawrence, Tilman Riemenschneider, 1502–8
Tilman Riemenschneider, PorträtTilman RiemenschneiderDeutschland, 1460–1531

Saint Lawrence

1502–8 · Sculpture

Über die Skulptur

This sculpture, along with that of Saint Stephen (1959.43), and two female saints preserved in Frankfurt (Historisches Museum), are believed to be the remaining fragments of a large altarpiece carved by Riemenschneider for the Dominican convent in Rothenburg in Franconia (demolished in 1813). Saints Stephen and Lawrence both wear the dalmatic to indicate their status as deacons in the early church. Each holds a symbol of his martyrdom; here, Saint Lawrence holds a grill to indicate his death by burning. Late Gothic Style Art in Germany through the early 1500s remained firmly anchored in the late Gothic style with its associated interests in realism. Riemenschneider was one of the most prolific and versatile sculptors of this style, a recognized master in both stone and wood. His flourishing workshop employed as many as 40 apprentices in sculpting, woodcarving, and painting. His sculptures are noted for the dreamy, melancholy, and introspective quality in their expressions, as well as their remarkable attention to detail.

Cleveland Museum of Art

Angaben

1502–8 · mit 42 Jahren
14601531
Inventarnummer
1959.42

Derweil im Leben von Tilman Riemenschneider

Das ganze Leben
  1. by 1500

    A wealthy citizen with a flourishing workshop

    By 1500 his reputation has brought wealth: he owns a number of houses in Würzburg and land with his own vineyards, and his workshop is estimated to have provided work for as many as 40 people.

  2. 1500

    Son born: Bartlmä Dill Riemenschneider

  3. 1501

    Twelve apprentices and stonemasons in one workshop

    His workshop has twelve apprentices, and woodcarvers and stonemasons work side by side, which in other cities with separate guilds was impossible. Other accounts say twelve apprentices were registered between 1501 and 1517, and that in 1508 he stated that three stone sculptors worked for him.

  4. November 1504

    Elected to the Würzburg town council

    He becomes a member of the sub-council (Unterrat) of the town, an office he holds until 1525 (other accounts say for about twenty years); it gives him social status and helps him obtain many large and profitable commissions.

Mehr von Tilman Riemenschneider

Alle Werke

Im selben Saal · 111 German and Austrian Gothic, Cleveland Museum of Art

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Cleveland Museum of Art

Cleveland, Vereinigte Staaten

Saal111 German and Austrian Gothic

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Geprüft
vor 9 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Im Katalog

SkulpturHolzRenaissance16. JahrhundertGermany, Würzburg, 16th century

Quellen

  • Cleveland Museum of Art
  • Bild: Cleveland Museum of Art — Museum open access
Seated Bishop, Tilman Riemenschneider, ca. 1495

Seated Bishop

ca. 1495 · Metropolitan Museum of Art

La Vierge de l'Annonciation, Riemenschneider, Tilman, vers 1495

La Vierge de l'Annonciation

vers 1495 · Louvre

Saints Christopher, Eustace, and Erasmus (Three Helper Saints), Tilman Riemenschneider, ca. 1500–1505

Saints Christopher, Eustace, and Erasmus (Three Helper Saints)

ca. 1500–1505 · Metropolitan Museum of Art

Standing Bishop, Tilman Riemenschneider, ca. 1505

Standing Bishop

ca. 1505 · Metropolitan Museum of Art

A Bishop Saint (Burchard of Würzburg?), Tilman Riemenschneider, c. 1515/1520

A Bishop Saint (Burchard of Würzburg?)

c. 1515/1520 · National Gallery of Art

Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), Tilman Riemenschneider, c. 1495

Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)

c. 1495 · Cleveland Museum of Art

Saint Stephen, Tilman Riemenschneider, 1502–8

Saint Stephen

1502–8 · Cleveland Museum of Art

Mary Salome and Zebedee, Tilman Riemenschneider, ca. 1505-1510

Mary Salome and Zebedee

ca. 1505-1510 · Victoria and Albert Museum

The Mass of Saint Gregory, Hans Baldung, 1511

Hans Baldung Grien

The Mass of Saint Gregory, 1511

Mourning Virgin from a Crucifixion Group, about 1620/40

Mourning Virgin from a Crucifixion Group, about 1620/40

Crucified Christ, Hans Leinberger, c. 1525–1530

Hans Leinberger

Crucified Christ, c. 1525–1530

Vesperbild (Pietà), Master of Rabenden, c. 1515–20

Master of Rabenden

Vesperbild (Pietà), c. 1515–20

Saint Elizabeth of Hungary, Mätthaus Kreniss, c. 1515

Mätthaus Kreniss

Saint Elizabeth of Hungary, c. 1515

Adoration of the Shepherds, Hans Leonhard Schäufelein, c. 1510

Hans Schäufelein

Adoration of the Shepherds, c. 1510

Saint Stephen, Tilman Riemenschneider, 1502–8

Tilman Riemenschneider

Saint Stephen, 1502–8

Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings), Master of the Krainburg Altar, c. 1500

Master of the Krainburg Altar

Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings), c. 1500