Saint Anthony the Abbot

about 1510–1515 · Sculpture · 133.9 × 84.4 cm

Kann ich es sehen?

Derzeit nicht ausgestellt

Wo ist „Saint Anthony the Abbot“ heute? Sammlung: J. Paul Getty Museum, Los Angeles. Derzeit nicht ausgestellt. Geprüft 7. Oktober 2026.

J. Paul Getty Museum

Los Angeles, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 3 Tagen
Unverändert seit: 7. Okt. 2026
Quelle: Das Museum

Auf der Karte Museumsseite

Über die Skulptur

This life-size sculpture depicts Saint Anthony (251-356), a Christian hermit who practiced asceticism – abstinence from worldly pleasures through strict self-denial – in the Egyptian desert. Known for withstanding demonic temptations while living in solitude, he became a role model for hermit monks following his example, acquiring the title “Abbot.” Dressed in a boldly colored yellow and black habit, the saint is represented seated, gesturing a blessing with his right hand while holding a book in his left. At his feet is a “cinta senese” piglet, a breed of small pigs native to the Tuscany region in Italy. It signifies Anthony’s status as the patron saint of domestic animals, butchers, farmers, and basket makers and is one of his chief attributes (identifying features).

The sculpture’s size and downward gaze suggest that it once adorned a wall, possibly of a church or a hospital, most likely placed in a niche at a high position. Due to its large scale, the figure had to be fired in four parts: the base up to the saint’s knees, his torso, the head and shoulders, and the halo. It was crafted by Andrea della Robbia (1435–1525), the most important representative of the Della Robbia family in Florence. Nephew of Luca della Robbia (1400–1482), famous for having perfected an innovative glazing process for terracotta statues, Andrea expanded the production of the workshop. The inexpensive and readily available clay as well as the brilliant and durable surface made the artworks particularly suitable for devotional practices and outdoor presentation. This led to many commissions for Andrea’s workshop to execute the decoration of convents and churches, such as this sculpture.

J. Paul Getty Museum