River Landscape with Crane and Barges, Ernst Ludwig Kirchner, 1927
Ernst Ludwig Kirchner, PorträtErnst Ludwig KirchnerDeutschland, 1880–1938

River Landscape with Crane and Barges

1927 · Print

Kann ich es sehen?

Derzeit nicht ausgestellt

Wo ist „River Landscape with Crane and Barges“ heute? Sammlung: National Gallery of Art, Washington, D.C. Derzeit nicht ausgestellt. Geprüft 29. September 2026.

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

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Quelle
Das Museum

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Inventarnummer
2012.92.697

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Im Leben von Ernst Ludwig Kirchner

Das ganze Leben
  1. 1925

    Albert Müller and the Rot-Blau group

    In 1925 Kirchner became close friends with the painter Albert Müller and his family; the founders of the Basel group Rot-Blau (“Red-Blue”) — Hermann Scherer, Albert Müller, Paul Camenisch and Hans Schiess — visited him and worked under his guidance.

  2. 1925–1926

    Declines to found a new group

    In Berlin Kirchner met Karl Schmidt-Rottluff, who wanted him to form a new artists’ group; Kirchner politely refused.

  3. 1925–1926

    A trip to Germany: Frankfurt, Chemnitz, Berlin

    At the end of 1925 Kirchner went to Germany, visiting Frankfurt, Chemnitz, where his mother lived, and Berlin. Back in Frauenkirch he wrote to Dr. Hagemann in March 1926 that he was glad to see the old pictures by Rembrandt and Dürer again, while of the moderns hardly anything had gripped him.

  4. 1926–1927

    Death of Albert Müller and a memorial exhibition

    In December 1926 Kirchner’s close friend Albert Müller died of typhoid fever together with his wife Anni; in 1927 Kirchner organised a memorial exhibition for Müller at the Kunsthalle Basel.

  5. 1927

    A major exhibition in the Davos schoolhouse

    In 1927 a major exhibition of Kirchner’s work was held in the schoolhouse in Davos, with positive reviews.

  6. 1929

    An open letter to the Rot-Blau group

    In 1929 Kirchner was forced to distance himself from Rot-Blau after they pledged allegiance to him, which greatly upset him; in “An open letter to the Basel Red-Blue group” in no. 5 of Das Kunstblatt he stated that he was not their patron.

Alle Werke

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