Rachel Bartholomew Davis

James Alexander Simpson taught art classes at Georgetown College and created portraits of the Washington elite. He made this portrait of Rachel Bartholomew Davis in the same year that he painted her husband, Thomas Davis, possibly on the occasion of their marriage. Rachel’s pose mirrors her husband’s, and Simpson painted the two figures so that their paintings might be hung facing one another. Rachel’s curls and rosy cheeks emphasize her youth and innocence as she enters into married life.

Über das Gemälde

Angaben

Im selben Saal · Luce Foundation Center, 3rd Floor, 1A, Smithsonian American Art Museum

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Quellen

Thomas Davis

Mary Ellen Stonestreet Hoffar

Woman in Black Dress, ca. 1835-1840

Portrait of a Young Man, ca. 1830-1835

Hulda Martin in her 55 year, 1826

Man in Yellow Chair, ca. 1820

Portrait of Mendes Cohen, 1818

Thomas Davis, ca. 1815

Portrait of a Man, ca. 1809

Portrait of a Woman, ca. 1809

Madame Roulin and Her Baby, 1888

Garten in Sainte-Adresse, 1867

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Two Women on the Shore, 1898

Junge Frau mit Wasserkanne am Fenster, ca. 1662

Bildnis eines jungen Mädchens, ca. 1665–67

Gegrüßt seist du, Maria, 1891

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635