Portret van Erasmus
Über das Werk
In den Worten des Museums — auf Niederländisch
Portret van Erasmus, staande in een ornamentale boog, zijn hand rustend op een beeld van Terminus.
Rijksmuseum Amsterdam
Angaben
- Inventarnummer
- RP-P-OB-21.722
Derweil im Leben von Hans Holbein
Das ganze Lebenearly 1532
Return to England: The Second English Period
In early 1532 he returned to England and resumed his career under the patronage of Anne Boleyn and Thomas Cromwell; he painted portraits of the Lutheran merchants of the Hanseatic Steelyard.
1535
Court Painter to Henry VIII
He became court painter to King Henry VIII: he painted portraits, designed court festivities, and produced designs for fountains, stained glass, jewelry, and objects for the royal household. By 1536 he was receiving an annual salary of thirty pounds.
1538
Journey to France and Visit to Basel
In the same year he traveled with Hoby to France to portray Louise de Guise and Anne of Lorraine for Henry VIII (the portraits have not survived), visited Basel, where the authorities honored him and granted him a pension, and in Paris apprenticed his son Philipp to the goldsmith Jacob David.
1538
Journey to Brussels: Portrait of Christina of Denmark
He traveled with Philip Hoby to Brussels to sketch Christina of Denmark for Henry VIII, who was considering the young widow as a possible bride; the sitting took three hours.
1540
Execution of Thomas Cromwell: A Blow to His Career
Cromwell's sudden arrest and execution on fabricated charges of heresy and treason damaged Holbein's career: he retained his position as King's Painter, but the death of his patron left a gap that could not be filled.
