Poetry, Kitagawa Utamaro, 1790
Kitagawa Utamaro, PorträtKitagawa UtamaroJapan, 1754–1806

Poetry

1790 · page

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Zevende en achtste pagina met kyoka gedichten uit het boek Fugenzo van Utamaro.

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Inventarnummer
RP-P-1970-65-10

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Im Leben von Kitagawa Utamaro

Das ganze Leben
  1. c. 1783 – 1788

    Years in the publisher Tsutaya's house

    Probably from 1783, Utamaro lives for about five years in the house of Tsutaya Jūzaburō and becomes one of the principal artists of the Tsutaya firm. Evidence of his prints from these years is sporadic: he mostly illustrates books of kyōka, “crazy verse”, a parody of the classical waka form.

  2. 1790–1801

    Tightening censorship: seals on prints

    From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.

  3. c. 1791

    Giving up book prints for half-length portraits of beauties

    Around 1791 Utamaro gives up designing prints for books and concentrates on single portraits of women shown half-length, rather than the group scenes favoured by other ukiyo-e artists. He was the first in Japanese woodblock printing to use half-length compositions for women's portraits; none of his work from 1790–1792 has survived.

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