Pietà
Über die Skulptur
A dominant presence in Venice and Padua as well as his native Genoa during the 1680s and 1690s, Filippo Parodi was a versatile artist who carved both marble and wood. Among his Paduan commissions was the altar of the Pietà in the abbey of Santa Giustina, showing Mary cradling the body of her dead son Jesus. The arrangement of the central figures of the final realized marble Pietà was determined in this terracotta version, which is unusually large and finished, indicating that it was conceived as a presentation model for the approval of patrons rather than a sketchier preparatory study.
Art Institute of ChicagoCC BY 4.0
Angaben
- Inventarnummer
- 2002.605
![Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995](https://api.nga.gov/iiif/b1ae88f0-bb0c-4b98-bd7f-3d50148b518e/full/!2400,2400/0/default.jpg)
