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  3. Penitent Magdelene
Penitent Magdelene, Bartolomé Esteban Murillo, c. 1650–65

Penitent Magdelene

c. 1650–65 · Painting · 123.2 × 108 cm

Über das Gemälde

Tradition holds that Saint Mary Magdalene, a close follower of Jesus Christ, retreated to a cave in penitence during the final years of her life. Here, she clutches her purple robes and looks up at the bright divine light that falls upon her. Two attributes, or identifying symbols, of the saint are displayed on the rock next to her: the skull, a reminder of the inevitability of death, and the cross, a symbol of her personal devotion to Christ and his teachings.

The markings at the bottom of the canvas, the number 629 and the fleur-de-lis symbol, indicate that this painting was item number 629 in the royal inventory of Queen Isabella Farnese of Spain.

Minneapolis Institute of Art

Angaben

c. 1650–65
16171682
Inventarnummer
82.23

Derweil im Leben von Bartolomé Esteban Murillo

Das ganze Leben
  1. 1645–1648

    First Major Commission

    In the year of his wedding Murillo received his first major commission — eleven paintings of Franciscan saints for the Convent of San Francisco in Seville; he worked on them from 1645 to 1648.

  2. 1658–1660

    Period in Madrid

    From 1658 to 1660 Murillo lived in Madrid, after which he returned to Seville.

  3. 1660

    Co-founder of the Academy of Fine Arts

    Murillo became one of the founders of the Academy of Fine Arts in Seville and in 1660 shared its direction with Francisco Herrera the Younger.

  4. 1 January 1664

    Death of His Wife

    After his wife's death on 1 January 1664, Murillo's way of life changed, but there began the period of his greatest activity, with many important commissions.

  5. May 1665

    Admitted to the Brotherhood of Charity

    In May 1665 Murillo was admitted to the Seville Brotherhood of Charity, for which he executed works.

Mehr von Bartolomé Esteban Murillo

Alle Werke

Im selben Saal · G341, Minneapolis Institute of Art

Museumsseite
Bartolomé Esteban Murillo, PorträtBartolomé Esteban MurilloSpanien, 1617–1682

Darf man es sehen?

Ja, es empfängt Besucher

Minneapolis Institute of Art

Minneapolis, Vereinigte Staaten

SaalG341

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 9 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Im Katalog

GemäldeÖlSpanische MalereiBarock17. JahrhundertSpanien

Quellen

  • Minneapolis Institute of Art
  • Bild: Minneapolis Institute of Art — public domain
Virgin and Child, Bartolomé Estebán Murillo, 1670s

Virgin and Child

1670s · Metropolitan Museum of Art

Isaac Blessing Jacob, Bartolomé Esteban Murillo, 17th century

Isaac Blessing Jacob

17th century · Eremitage

Vision of St Antony of Padua, Bartolomé Esteban Murillo, 17th century

Vision of St Antony of Padua

17th century · Eremitage

Adoration of the Shepherds, Bartolomé Esteban Murillo, 17th century

Adoration of the Shepherds

17th century · Eremitage

Saint Junípero et le pauvre, Murillo, Bartolomé Esteban, 2e quart du XVIIe siècle (vers 1646)

Saint Junípero et le pauvre

2e quart du XVIIe siècle (vers 1646) · Louvre

Le Jeune mendiant, Murillo, Bartolomé Esteban, 2e quart du XVIIe siècle (1647 - 1648)

Der junge Bettler

2e quart du XVIIe siècle (1647 - 1648) · Louvre

A Knight of Alcántara or Calatrava, Bartolomé Estebán Murillo, ca. 1650–55

A Knight of Alcántara or Calatrava

ca. 1650–55 · Metropolitan Museum of Art

Two Women at a Window, Bartolomé Esteban Murillo, c. 1655/1660

Zwei Frauen am Fenster

c. 1655/1660 · National Gallery of Art

Christ Driving the Money Changers from the Temple, El Greco, c. 1570–75

El Greco

Christ Driving the Money Changers from the Temple, c. 1570–75

Six Tuscan Poets, Giorgio Vasari, 1543–44

Giorgio Vasari

Six Tuscan Poets, 1543–44

Man of Sorrows, Luis de Morales, c. 1560

Luis de Morales

Man of Sorrows, c. 1560

Holy Family, Luis Tristán, 1613

Luis Tristán

Holy Family, 1613

Still life with grapes, apples, chestnuts, almonds, acorns and a red clay bottle, El Labrador, 17th century

El Labrador

Still life with grapes, apples, chestnuts, almonds, acorns and a red clay bottle, 17th century

Saint Benedict of Palermo, Attributed to José Montes de Oca, c. 1734

Attributed to José Montes de Oca

Saint Benedict of Palermo, c. 1734

The Venerable Miguel Gerónimo Carmelo, Francisco de Zurbarán, 1628–30

Francisco de Zurbarán

The Venerable Miguel Gerónimo Carmelo, 1628–30

Corpus, Master of Guadalcanal, c. 1700

Master of Guadalcanal

Corpus, c. 1700