Reuige Magdalena, Caravaggio, 1593
Caravaggio, PorträtCaravaggioItalien, 1571–1610

Reuige Magdalena

Penitent Magdalene

1593 · Painting · 122.5 × 30 cm

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Wo ist „Reuige Magdalena“ heute? Sammlung: Galleria Doria Pamphilj, Rom. Unbekannt.

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FC 357

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  • Wikidata
  • Bild: Galleria Doria Pamphilj — Caravaggio · Public domain · Wikimedia Commons

Im Leben von Caravaggio

Das ganze Leben
  1. autumn 1591

    Flight from Milan to Rome

    He had to flee Milan after a quarrel over cards ended in the death of his opponent; stopping first in Venice, he made for Rome. Other accounts date his departure to 1592, after 'certain quarrels' and the wounding of a police officer.

  2. 1592

    Penniless in Rome, lodging with Pandolfo Pucci

    The young artist arrived in Rome 'naked and extremely needy', with no fixed address or provision, and lodged with the miserly Pandolfo Pucci, known as 'Monsignor Insalata'. According to Bellori, he began by painting three heads a day for nominal pay for the minor painter Lorenzo Siciliano.

  3. 1593

    Roman fever: six months in hospital

    Caravaggio fell ill with 'Roman fever' (malaria) and spent six months in hospital between life and death. Possibly under the impression of the illness he painted the 'Sick Bacchus', his first self-portrait.

  4. 1593

    In the workshop of Cesari d'Arpino

    Caravaggio joined the workshop of Cesari d'Arpino, who had him paint flowers and leaves on his frescoes; there the young provincial met influential patrons and artists, among them Jan Brueghel the Elder. In the same years, after yet another brawl, he landed in the Tor di Nona prison, where he met Giordano Bruno, and soon broke with d'Arpino.

  5. autumn 1594

    Under the patronage of Cardinal del Monte

    Caravaggio began working on commissions for Cardinal Francesco del Monte and moved into his residence, the Madama, where he met Galileo Galilei, Tommaso Campanella, Giacomo della Porta and the poets Marino and Milesi. The period proved highly productive for him.

  6. 1595

    Refused admission to the Academy of Saint Luke

    Despite recommendations from Orazio Gentileschi, Grammatica and Prospero Orsi, Caravaggio was refused admission to the Academy of Saint Luke. His chief opponent was its president, Federico Zuccaro, who put the success of his pictures down to a mere 'touch of novelty' prized by rich patrons.

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