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  1. Sammlung/
  2. Smithsonian American Art Museum/
  3. Painter and Model (The Creation Chamber)
Painter and Model (The Creation Chamber), Arshile Gorky, 1931
Arshile Gorky, PorträtArshile GorkyVereinigte Staaten, 1904–1948

Painter and Model (The Creation Chamber)

1931 · Graphic Arts-Mechanical Reproduction · 28.6 × 25.4 cm

Darf man es sehen?

Unbekannt

Smithsonian American Art Museum

Washington, D.C., Vereinigte Staaten

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1931 · mit 27 Jahren
19041948
Inventarnummer
1967.4.3

Was es zeigt

Art, abstractArtArtist and modelFigure group

Im Katalog

DruckgrafikLithografieModerne20. Jahrhundert

Quellen

  • Smithsonian American Art Museum
  • Bild: Smithsonian American Art Museum — CC0

Derweil im Leben von Arshile Gorky

Das ganze Leben
  1. 1920s

    From Impressionism to Post-Impressionism

    In the early 1920s Gorky was influenced by Impressionism, and later in the decade his work moved closer to Post-Impressionism.

  2. 1925–1931

    Teaches at the Grand Central School of Art

    Edmund Greacen of the Grand Central Art Galleries asked Gorky to teach at the Grand Central School of Art in New York, and he stayed there until 1931; his notable students included Revington Arthur. Other accounts say he taught there from 1926.

  3. 1930

    Group exhibition at the Museum of Modern Art

    Works by the members of the group to which Gorky belonged were shown at the Museum of Modern Art in New York.

  4. 1930s

    Collaboration with Davis, de Kooning and Graham

    In the 1930s Gorky worked closely with Stuart Davis, Willem de Kooning and John Graham.

  5. 1931

    First solo exhibition in Philadelphia

    Gorky’s first solo exhibition took place at the Mellon Galleries in Philadelphia.

  6. 1931

    Works sent to the Downtown Gallery

    Gorky sent a group of works priced from $100 to $450 to the Downtown Gallery in New York. Abby Aldrich Rockefeller bought his Cézannesque still life “Fruit” from the gallery; Gorky may have been introduced to its owner by Stuart Davis, who exhibited there regularly.

Mehr von Arshile Gorky

Alle Werke
Composition, Arshile Gorky, 1936–39

Composition

1936–39 · Minneapolis Institute of Art

Garden in Sochi, Arshile Gorky, 1941

Garden in Sochi

1941 · Museum of Modern Art

Diary of a Seducer, Arshile Gorky, 1945

Diary of a Seducer

1945 · Museum of Modern Art

The Plough and the Song, Arshile Gorky, 1946–47

The Plough and the Song

1946–47 · Art Institute of Chicago

The Artist and His Mother, Arshile Gorky, 1926–c. 1936

The Artist and His Mother

1926–c. 1936 · Whitney Museum of American Art

The Artist and His Mother, Arshile Gorky, c. 1926-c. 1942

The Artist and His Mother

c. 1926-c. 1942 · National Gallery of Art

Self-Portrait, Arshile Gorky, 1927/28

Self-Portrait

1927/28 · Art Institute of Chicago

Organization, Arshile Gorky, 1933-1936

Organization

1933-1936 · National Gallery of Art

Nachbarn im Haus: Smithsonian American Art Museum

Museumsseite
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934