Paulus PotterNiederlande, 1625–1654Orpheus and the Animals
Kann ich es sehen?
Ja, derzeit ausgestellt
Wo ist „Orpheus and the Animals“ heute? Rijksmuseum Amsterdam, Room 2.28 · Painting, Amsterdam. Ja, derzeit ausgestellt. Geprüft 29. September 2026.
Geschlossen· öffnet morgen um 9:00
Öffentlich ausgestellt.
- Geprüft
- Unverändert seit
- Quelle
- Das Museum
Über das Gemälde
The Classical poet Ovid described how Orpheus en-chanted nature with his wonderful lyre music. This theme was popular among 17th-century animal painters because it gave them a chance to depict many different sorts of animals. Here Potter demonstrates that his repertoire encompassed more than the usual farm animals. He painted dozens of native and exotic beasts. In the middle Orpheus is strumming his harp.
Rijksmuseum Amsterdam
Angaben
- Inventarnummer
- SK-A-317
Was es zeigt
Im Katalog
Ausstellungen
Ausgestellt · Room 2.28 · Painting
Rijksmuseum Amsterdam · 29. Sept. 2026 — jetzt · Geprüft
Ob es ausgestellt war, ist unbekannt
Rijksmuseum Amsterdam · Unbestätigt
Quellen
- Rijksmuseum Amsterdam
- Bild: Rijksmuseum Amsterdam — public domain
Im Leben von Paulus Potter
Das ganze Leben1649
Moves to The Hague: a house from van Goyen
Potter rents a house in The Hague from the painter Jan van Goyen and joins the local painters' guild; for several years he lives next door to van Goyen.
1649–1652 · Wirkungsort
The Hague
3 July 1650
Marries Adriana van Balckeneynde
Potter marries Adriana van Balckeneynde, daughter of the Hague master carpenter and building contractor Claes Dircksz, who lived nearby; his father-in-law introduces him to the Dutch elite. None of their children will reach adulthood.
1 May 1652
Moves to Amsterdam at Tulp's invitation
At the invitation of the physician Nicolaes Tulp, who already owned a number of his paintings, Potter goes to Amsterdam. Impressed by the artist's civilized behaviour and politeness, Tulp has him paint his son Dirck as a noble equestrian, life-size, with the head painted on a portrait originally intended for someone else.
1652–1654 · Wirkungsort
Amsterdam
