Old Black Joe

Horace Pippin took up painting after being injured in World War I, in which he fought with the 369th Infantry, a regiment known as the "Harlem Hellfighters." Pippin's grandparents were enslaved and his life was fraught with poverty, segregation, and racism. Pippin never received any training in the arts, and he used his left hand to guide his debilitated right one when he worked. His paintings address the horrors of war and ongoing issues of social injustice.

Über das Gemälde

Angaben

Nachbarn im Haus: Smithsonian American Art Museum

Unbekannt

Was es zeigt

Im Katalog

Quellen

Self-Portrait II

Sleepers

Family Supper

Chairs

Abraham Lincoln, the Great Emancipator, Pardons the Sentry

School Studies

Cabin in the Cotton

The Buffalo Hunt

Muskrat, before 1997

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, 1946

Fish Decoy, ca. 1940s