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  3. Oever met bomen
Oever met bomen, Vincent van Gogh, 1887

Oever met bomen

1887 · Painting

Über das Gemälde

In 1886, Van Gogh moved to Paris to familiarise himself in the painting style of the French Impressionists. This painting reflects his experimentation with their bright vibrant colours, short brushstrokes, and modern compositions. The scene is a close-up of a bank of the Seine River near Asnières, a town northeast of Paris. Van Gogh enjoyed painting there during the summer of 1887.

Rijksmuseum Amsterdam

Angaben

1887 · mit 34 Jahren
18531890
Inventarnummer
SK-C-1844

Derweil im Leben von Vincent van Gogh

Das ganze Leben
  1. February 1886

    Moves to Paris to join his brother Theo

    Van Gogh left Antwerp to join his brother Theo, an art dealer, in Paris. So began a very fruitful and eventful Paris period: he painted some two hundred and thirty pictures there, more than anywhere else.

  2. November 1887

    Friendship with Paul Gauguin

    Theo and Vincent befriended Paul Gauguin, who had just arrived in Paris.

  3. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  4. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  5. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

Mehr von Vincent van Gogh

Alle Werke

Im selben Saal · Room 1.18, Rijksmuseum Amsterdam

Museumsseite
  • May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  • Vincent van Gogh, PorträtVincent van GoghNiederlande, 1853–1890

    Darf man es sehen?

    Ja, es empfängt Besucher

    Rijksmuseum Amsterdam

    Amsterdam, Niederlande

    Saal1.18

    Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    29. Sept. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Im Katalog

    GemäldeÖlNiederländische MalereiImpressionismus19. Jahrhundert

    Kommen und Gehen

    1. Ausgestellt · Saal 1.18

      Rijksmuseum Amsterdam · 29. Sept. 2026 — jetzt · Geprüft

    2. Ob es heute ausgestellt ist, ist unbekannt

      Rijksmuseum Amsterdam · Unbestätigt

    Quellen

    • Rijksmuseum Amsterdam
    • Bild: Rijksmuseum Amsterdam — public domain
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · Metropolitan Museum of Art

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · Rijksmuseum Amsterdam

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · Metropolitan Museum of Art

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · Metropolitan Museum of Art

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · Minneapolis Institute of Art

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · Metropolitan Museum of Art

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · Rijksmuseum Amsterdam

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · Metropolitan Museum of Art

    Self-portrait, Vincent van Gogh, 1887

    Vincent van Gogh

    Self-portrait, 1887

    La Corniche near Monaco, Claude Monet, 1884

    Claude Monet

    La Corniche bij Monaco, 1884

    Korenveld, Vincent van Gogh, 1888

    Vincent van Gogh

    Korenveld, 1888

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Vincent van Gogh

    Het Singel bij de Lutherse Kerk te Amsterdam, 1885

    Landscape with Rocky Cliffs and a Waterfall, Gustave Courbet, 1872

    Gustave Courbet

    Landscape with Rocky Cliffs and a Waterfall, 1872

    Morgenrit langs het strand, Anton Mauve, 1876

    Anton Mauve

    Morgenrit langs het strand, 1876

    De zee, Jan Toorop, 1887

    Jan Toorop

    De zee, 1887

    De Singelbrug bij de Paleisstraat in Amsterdam, George Hendrik Breitner, 1896

    George Hendrik Breitner

    De Singelbrug bij de Paleisstraat in Amsterdam, 1896