Nu féminin, Thomas Couture, 1857-1867
Thomas Couture, PorträtThomas CoutureFrankreich, 1815–1879

Nu féminin

1857-1867 · Painting · 0.76 × 0.59 cm

Kann ich es sehen?

Unbekannt

Wo ist „Nu féminin“ heute? Sammlung: Musée d'art et d'archéologie de Senlis, Senlis. Unbekannt.

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
Quelle
Das Museum

Angaben

Inventarnummer
D.A.2006.0.20.1 ; C.53.031

Was es zeigt

Im Katalog

Quellen

Im Leben von Thomas Couture

Das ganze Leben
  1. 1855

    The 1855 World’s Fair: “The Falconer” misses the top award

    At the 1855 World’s Fair Couture shows the picture “The Falconer”, but it does not win the highest award, which he regards as a major setback. As a result he renounces the first-class medal awarded to him for this picture and for “The Romans of the Decadence”.

  2. 1855

    A major quarrel with Manet over his new work

    In 1855 a major conflict breaks out between Couture and Manet over the young artist’s new work: Couture declares that if Manet claims to lead an art school, he should found it somewhere else. Their disagreements arose over other matters too: in the heat of one quarrel Manet packed his things and abandoned his studies, but returned at his father’s insistence.

  3. after 1858

    The final break with Manet over “The Absinthe Drinker”

    Manet invites Couture to his home, where Couture declares himself outraged by the “drunkard” and by the “vileness” the artist has created. The cause is Manet’s “The Absinthe Drinker” (1858–1859); after that, teacher and pupil never meet again.

  4. 1860

    Leaves Paris for his native Senlis

    Upset by the unfavourable reception of his murals, Couture leaves Paris in 1860 and for a time returns to his hometown of Senlis, where he goes on teaching the young artists who come to him.

  5. 1863

    Forced to close his atelier

    In 1863 Couture is forced to close his atelier, among other reasons because a year earlier many of his pupils had gone over to Courbet.

  6. 1869

    Moves to Villiers-le-Bel

    In 1869 Couture moves to Villiers-le-Bel. According to the critic Albert Wolff, he lives there in a seclusion which, thanks to the complete indifference of his contemporaries, turns him into a man buried alive.

Alle Werke

Aus der Sammlung: Musée d'art et d'archéologie de Senlis

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