Near Saltillo, Paul Strand, 1932, printed 1967

Paul StrandVereinigte Staaten, 1890–1976

Near Saltillo

1932, printed 1967 · Photograph

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

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Unverändert seit: 19. Aug. 2026
Quelle: Das Museum

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Inventarnummer: 1991.116.277

Was es zeigt

Landscape Mexico

Im Katalog

Fotografien Moderne 20. Jahrhundert American

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National Gallery of Art
Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Paul Strand

Das ganze Leben

1932–1935
Lives in Mexico and works on the film “Redes”
Strand lives in Mexico and works on “Redes” (1936), a film commissioned by the Mexican government and released in the United States as “The Wave”.
1936
Helps found the Photo League
Strand is one of the founders of the Photo League, a cooperative of photographers that between 1936 and 1951 campaigned for social reform and for using art to promote social and political causes. He and Elizabeth McCausland were particularly active in it, he himself something of an elder statesman; Ansel Adams and Nancy Newhall also contributed to the League’s publication, Photo News.
1946
Retrospective at the Museum of Modern Art
The Museum of Modern Art in New York holds a large retrospective of Strand’s work, spanning documentary photography, portraits, landscapes, plants, architecture, industrial sites and machines.
December 1947
The Photo League lands on the list of subversive organizations
In December 1947 the Photo League, which Strand had helped to found, appears on the US Attorney General’s List of Subversive Organizations. The League was active until 1951.
1949
Leaves the United States and stays in France
In June 1949 Strand travels to present “Native Land” at the Karlovy Vary International Film Festival and, unwilling to tolerate the growing McCarthyism, stays in France and never returns to the United States. He spends the last 27 years of his life in Orgeval (Yvelines), never learning French; declassified files later showed that security services monitored him closely.
1950
“Time in New England” is published
“Time in New England” opens a run of six book “portraits” of place; returning to still photography in his later years, Strand produces some of his most significant work in this form.