Murnau, Alexej von Jawlensky, 1910
Alexej von Jawlensky, PorträtAlexej von JawlenskyRussland, 1864–1941

Murnau

1910 · Painting

Kann ich es sehen?

Derzeit nicht ausgestellt

Wo ist „Murnau“ heute? Sammlung: National Gallery of Art, Washington, D.C. Derzeit nicht ausgestellt. Geprüft 12. Oktober 2026.

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
Unverändert seit
Quelle
Das Museum
Einbetten

Angaben

Inventarnummer
1973.69.1

Was es zeigt

Im Katalog

Quellen

Im Leben von Alexej von Jawlensky

Das ganze Leben
  1. 1896–1914

    The Giselastrasse salon, a hub of the Russian colony

    For 18 years the apartment of Jawlensky and Werefkin at Giselastrasse 23 remained one of the hubs of the Russian colony: besides well-known artists, its guests included Diaghilev and Nijinsky, Anna Pavlova and Eleonora Duse.

  2. 1908–1910

    Summers in the Bavarian Alps with Kandinsky and Münter

    From 1908 to 1910 Jawlensky and Werefkin spent their summers in the Bavarian Alps with Kandinsky and his companion, the painter Gabriele Münter: painting the mountain landscapes, they experimented with one another's techniques and discussed the theory of their art. After visiting Murnau with Werefkin and Kandinsky in 1908, Jawlensky painted a view of the village — a line of red and brown roofs floating between a low blue mountain and a tide of yellow-green grass.

  3. 1909

    Co-founds the New Munich Artists' Association

    In 1909 Jawlensky founded the New Munich Artists' Association together with Kandinsky, Adolf Erbslöh, Gabriele Münter, Marianne von Werefkin and others — the forerunner of the Blue Rider.

  4. 1909

    Exhibition: Sonderbund westdeutscher Kunstfreunde und Künstler

  5. 1909–1911

    Izdebsky's “Salons” in Russian cities

    Jawlensky exhibited alongside the artists of the group, including at Izdebsky's international “Salons”, organised with Kandinsky's participation in a number of Russian cities in 1909–1911.

  6. 1911–1912

    Renewed contact with Matisse and Nolde

    Following a trip to the Baltic coast and renewed contact with Henri Matisse in 1911 and Emil Nolde in 1912, Jawlensky turned increasingly to the expressive use of colour and form alone in his portraits.

Alle Werke

Auch ausgestellt: National Gallery of Art

Museumsseite

Zum selben Thema · Landscape

Alle Werke zum Thema