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  1. Sammlung/
  2. National Gallery of Art/
  3. Market, Pays Basque
Market, Pays Basque, André Kertész, 1931, printed 1981
André Kertész, PorträtAndré KertészVereinigte Staaten, 1894–1985

Market, Pays Basque

1931, printed 1981 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1931, printed 1981
18941985
Inventarnummer
2014.146.5.2

Was es zeigt

StilllebenHaushundFruitBasketMarket scene

Im Katalog

FotografienSilbergelatineabzugModerne20. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von André Kertész

Das ganze Leben
  1. 17 June 1933

    Marries Elizabeth

    Despite his mother’s death earlier that year, Kertész marries Elizabeth; he is said to have spent less time with his artist friends in favour of his new wife.

  2. 15 October 1936

    Emigrates to New York

    Magazines emphasise political stories and stop publishing Kertész for his apolitical subjects; with commissions dropping and persecution of Jews increasing, he and Elizabeth decide to move, which may have saved his life, as four years later France would fall under Nazi occupation. They board the SS Washington and arrive in New York on 15 October 1936, living at the Beaux Arts Hotel in Greenwich Village; deprived of his artist friends, struggling with English and among Americans who reject having their photos taken on the street, he goes through a period he later calls the “absolute tragedy”.

  3. December 1937

    His first solo show in New York

    In December 1937 Kertész has his first solo show in New York, at the PM Gallery.

  4. 1941

    Designated enemy aliens

    Because of the war the Kertész couple are designated enemy aliens (Hungary is fighting on the side of the Axis powers); he is not permitted to photograph outdoors or to have any project related to national security. Trying to avoid trouble, since Elizabeth has started a cosmetics company, Cosmia Laboratories, he ceases commissioned work and essentially disappears from the photographic world for three years.

  5. 1964

    A solo show at MoMA under John Szarkowski

    Soon after John Szarkowski becomes photography director at the Museum of Modern Art he features Kertész in a solo show; with his work critically acclaimed, Kertész gains recognition in the photographic world as an important artist, and his photographs go on to be shown in exhibitions throughout the world, even into his early nineties.

  6. 1977

    His wife Elizabeth dies

    Elizabeth, who had created and run a successful cosmetic business for years, dies of cancer; to deal with the loss, Kertész falls back on his new network of friends, often visiting them to talk. By this time he has learned basic English and speaks what his friends call “Kertészian”, a mixture of Hungarian, English and French.

Mehr von André Kertész

Alle Werke
Promenade, André Kertész, 1962

Promenade

1962 · Museum of Modern Art

Riverbank, André Kertész, 1920s

Riverbank

1920s · Nicht ausgestellt · National Gallery of Art

Street Scene, André Kertész, early 1920s

Street Scene

early 1920s · Nicht ausgestellt · National Gallery of Art

Self-Portrait as Woman with Unknown Man and Women, André Kertész, early 1920s

Self-Portrait as Woman with Unknown Man and Women

early 1920s · Nicht ausgestellt · National Gallery of Art

Self-Portrait as Woman, André Kertész, early 1920s

Self-Portrait as Woman

early 1920s · Nicht ausgestellt · National Gallery of Art

City Park, André Kertész, early 1920s

City Park

early 1920s · Nicht ausgestellt · National Gallery of Art

Sleeping Boy, André Kertész, 1912

Sleeping Boy

1912 · Nicht ausgestellt · National Gallery of Art

Bocskay-tér, Budapest, André Kertész, 1914

Bocskay-tér, Budapest

1914 · Nicht ausgestellt · Museum of Modern Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Stillleben

Alle Werke zum Thema
Irises, Vincent van Gogh, 1890

Vincent van Gogh

Irises, 1890

Metropolitan Museum of Art

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Rijksmuseum Amsterdam

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

National Gallery of Art

Still Life of Oranges and Lemons with Blue Gloves, Vincent van Gogh, 1889

Vincent van Gogh

Still Life of Oranges and Lemons with Blue Gloves, 1889

Nicht ausgestellt · National Gallery of Art

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Metropolitan Museum of Art

Sunflowers, Vincent van Gogh, 1887

Vincent van Gogh

Sunflowers, 1887

Metropolitan Museum of Art

Oleanders, Vincent van Gogh, 1888

Vincent van Gogh

Oleanders, 1888

Metropolitan Museum of Art

Shoes, Vincent van Gogh, 1888

Vincent van Gogh

Shoes, 1888

Metropolitan Museum of Art