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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  1. Sammlung/
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  3. Man Polishing a Boot
Man Polishing a Boot, Vincent van Gogh, 1882

Man Polishing a Boot

1882 · Drawing

Angaben

1882 · mit 29 Jahren
18531890
Inventarnummer
1991.217.68

Derweil im Leben von Vincent van Gogh

Das ganze Leben
  1. August 1879 – Oktober 1880 · Wirkungsort

    Maison Van Gogh

  2. August 1880

    Decides to take up art in earnest

    Back in Cuesmes in the Borinage, lodging with a miner, Van Gogh began, at Theo's suggestion, to draw the people and scenes around him in earnest. Later that year he went to Brussels to study with Willem Roelofs, who persuaded him to enrol at the Académie Royale des Beaux-Arts.

  3. late 1881

    Lessons with Anton Mauve

    His second cousin Anton Mauve, the successful artist Van Gogh longed to be, took him on as a student and introduced him to watercolour. Within weeks they fell out, possibly over drawing from plaster casts.

  4. August 1881

    Proposes to his cousin Kee: “No, nay, never”

    His recently widowed cousin Cornelia “Kee” Vos-Stricker, seven years his senior, came to stay in Etten with her eight-year-old son. To everyone's surprise Van Gogh declared his love and proposed; she refused: “No, nay, never.”

  5. 1882

    His first paintings in oil

    Soon after three weeks in hospital in June 1882, Van Gogh painted in oils for the first time, with paints bought on money borrowed from Theo, and was surprised at how good the results were. In August Theo gave him money for materials to work en plein air, and Vincent wrote that he could now “go on painting with new vigour”.

Mehr von Vincent van Gogh

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Occupation

Alle Werke zum Thema

late January 1882

Life with Sien Hoornik

Van Gogh met Clasina Maria “Sien” Hoornik, a pregnant prostitute with a five-year-old daughter, and set up home with her; on learning of it, Mauve stopped answering his letters. His father pressed him to abandon Sien, and in 1883 Vincent left her and the children.

Vincent van Gogh, PorträtVincent van GoghNiederlande, 1853–1890

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

OccupationMaleShoeshiner

Im Katalog

Zeichnungen & AquarelleBleistiftImpressionismus19. JahrhundertFrenchPost-Impressionist

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Metropolitan Museum of Art

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Rijksmuseum Amsterdam

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Metropolitan Museum of Art

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Metropolitan Museum of Art

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Minneapolis Institute of Art

Irises, Vincent van Gogh, 1890

Irises

1890 · Metropolitan Museum of Art

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Rijksmuseum Amsterdam

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Metropolitan Museum of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

Vincent van Gogh

Old Man Carrying a Basket, Facing Right, 1882

Nicht ausgestellt · National Gallery of Art

Postcard with Two Peasants Digging, Vincent van Gogh, 1885

Vincent van Gogh

Postcard with Two Peasants Digging, 1885

Nicht ausgestellt · National Gallery of Art

Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), Pablo Picasso, 1933

Pablo Picasso

Three Actors with a Bust of Marie-Thérèse (Trois comédiens avec buste de Marie-Thérèse), 1933

Nicht ausgestellt · National Gallery of Art

Nude in the Studio, Pablo Picasso, 1936/1937

Pablo Picasso

Nude in the Studio, 1936/1937

Nicht ausgestellt · National Gallery of Art

Family of Saltimbanques, Pablo Picasso, 1905

Pablo Picasso

Family of Saltimbanques, 1905

National Gallery of Art

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

Nicht ausgestellt · National Gallery of Art

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

Pablo Picasso

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

Nicht ausgestellt · National Gallery of Art

Sculptor at Rest I (Le repos du sculpteur I), Pablo Picasso, 1933

Pablo Picasso

Sculptor at Rest I (Le repos du sculpteur I), 1933

Nicht ausgestellt · National Gallery of Art