Love and Death, George Frederic Watts, c. 1880s
George Frederic Watts, PorträtGeorge Frederic WattsVereinigtes Königreich, 1817–1904

Love and Death

c. 1880s · Painting · 116.8 × 247.6 cm

Darf man es sehen?

Unbekannt

National Gallery

London, Vereinigtes Königreich

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
Quelle
Das Museum

Angaben

Inventarnummer
NG1645

Im Katalog

Quellen

  • Wikidata
  • Bild: National Gallery — George Frederic Watts · Public domain · Wikimedia Commons

Derweil im Leben von George Frederic Watts

Das ganze Leben
  1. 1870s

    A revised “House of Life” under Max Müller’s influence

    The “House of Life” — a planned epic symbolic cycle in which the emotions and aspirations of life are expressed in one universal symbolic language — receives a revised version in the 1870s. Watts’s association with Rossetti and the Aesthetic movement changes: he combines the Classical tradition with a deliberately agitated, troubled surface, draws on the ideas of Max Müller, the founder of comparative religion, and hopes to trace the evolving mythologies of the world’s peoples, fusing spiritual ideas with modern science, above all Darwinian evolution.

  2. 1886

    Second marriage to Mary Fraser Tytler

    In 1886, at the age of 69, Watts marries for the second time — Mary Fraser Tytler, a Scottish designer and potter, then aged 36.

  3. 1887

    Proposes a Memorial to Heroic Self-Sacrifice

    For Queen Victoria’s Golden Jubilee Watts proposes a memorial to heroic self-sacrifice, honouring ordinary people who died saving the lives of others and might otherwise be forgotten. The scheme is not accepted at the time.

  4. 1891

    Buys land at Compton and builds Limnerslease

    In 1891 Watts buys land near Compton, south of Guildford in Surrey. The couple name the house Limnerslease — from “limner” (artist) and “leasen” (to glean) — and build a museum of his work nearby.

Alle Werke

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