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  1. Sammlung/
  2. National Gallery of Art/
  3. Le Preson. V.
Le Preson. V., Canaletto, c. 1735/1746

Le Preson. V.

c. 1735/1746 · Print

Angaben

c. 1735/1746
16971768
Inventarnummer
1941.1.188

Derweil im Leben von Canaletto

Das ganze Leben
  1. 1720–1746 · Wirkungsort

    Venice

  2. 1728–1735

    Visentini's etchings after thirty-eight of Canaletto's views

    In 1728–35 Smith arranges for thirty-eight of Canaletto's painted vedute to be reproduced in etchings by Antonio Visentini and published under the title “Urbis Venetiarum Prospectus Celebriores ex Antonii Canal”.

  3. c. 1729 – 1735

    Smith as agent: a “market of taste” for the Venetian veduta

    Joseph Smith — a banker, art dealer and later British consul in Venice — creates a “market of taste” for the Venetian veduta among British aristocrats touring Italy and, as Canaletto's commercial agent from about 1729 to 1735, in effect controls the artist's work to the benefit of them both. Among the young painter's buyers is also the Prince of Liechtenstein.

  4. 1740s

    The War of the Austrian Succession: the British stop coming

    In the 1740s Canaletto's market is disrupted when the War of the Austrian Succession reduces the number of British visitors to Venice. Smith arranges for the publication of a series of etchings of “capricci” (architectural fantasies), but the returns are not high enough.

  5. 1746

    Moving to London because of wars and a collapsing market

    Smith inspires Canaletto to travel to London; because of the wars shaking continental Europe he decides in 1746 to move to England, where he will live for the next ten years.

Mehr von Canaletto

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Exterieur

Alle Werke zum Thema
  • 1746–1755

    Rumours of an impostor: a newspaper advertisement

    Canaletto's English paintings become repetitive and mechanical, and the critic George Vertue suggests that the man painting under the name “Canaletto” is an impostor — perhaps because his nephew Bernardo Bellotto was also using his uncle's nickname, or, more likely, because unscrupulous dealers passing off copies were anxious to see him return to Venice. To refute the claim the artist invites “any Gentleman”, through a newspaper advertisement, to inspect his latest painting of St James's Park at his studio in Silver Street, but his reputation never fully recovers in his lifetime.

  • Canaletto, PorträtCanalettoItalien, 1697–1768

    Darf man es sehen?

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    National Gallery of Art

    Washington, D.C., Vereinigte Staaten

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    Unverändert seit
    19. Aug. 2026
    Quelle
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    Auf der KarteMuseumsseite

    Was es zeigt

    ExterieurBrückeVenicePrison

    Im Katalog

    DruckgrafikRadierungRokoko18. JahrhundertVenetian

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — Museum open access
    Piazza San Marco, Canaletto, late 1720s

    Piazza San Marco

    late 1720s · Metropolitan Museum of Art

    A Lock, a Column, and a Church beside a Lagoon, Canaletto

    A Lock, a Column, and a Church beside a Lagoon

    Metropolitan Museum of Art

    Arrival of the French Ambassador in Venice, Canaletto, 1720s

    Arrival of the French Ambassador in Venice

    1720s · Eremitage

    The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s

    The Grand Canal, Venice, Looking South toward the Rialto Bridge

    1730s · Metropolitan Museum of Art

    Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s

    Campo Santa Maria Zobenigo, Venice

    1730s · Metropolitan Museum of Art

    The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s

    The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right

    1730s · Metropolitan Museum of Art

    Campo Sant'Angelo, Venice, Canaletto, 1730s

    Campo Sant'Angelo, Venice

    1730s · Metropolitan Museum of Art

    The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto, about 1738

    The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola

    about 1738 · J. Paul Getty Museum

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Winnowing Grain, Taos Pueblo, New Mexico, Ansel Adams, c. 1929, printed 1981

    Ansel Adams

    Winnowing Grain, Taos Pueblo, New Mexico, c. 1929, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Barn, Cape Cod, Massachusetts, Ansel Adams, c. 1937, printed 1981

    Ansel Adams

    Barn, Cape Cod, Massachusetts, c. 1937, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Mormon Temple, Manti, Utah, Ansel Adams, 1948, printed 1980

    Ansel Adams

    Mormon Temple, Manti, Utah, 1948, printed 1980

    Nicht ausgestellt · National Gallery of Art

    Saint Francis Church, Ranchos de Taos, New Mexico, Ansel Adams, c. 1929, printed 1981

    Ansel Adams

    Saint Francis Church, Ranchos de Taos, New Mexico, c. 1929, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Penitente Moranda, Coyote, New Mexico, Ansel Adams, c. 1950, printed 1981

    Ansel Adams

    Penitente Moranda, Coyote, New Mexico, c. 1950, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Church and Road, Bodega, California, Ansel Adams, c. 1953, printed 1981

    Ansel Adams

    Church and Road, Bodega, California, c. 1953, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Pool, Acoma Pueblo, New Mexico, Ansel Adams, c. 1942, printed 1981

    Ansel Adams

    Pool, Acoma Pueblo, New Mexico, c. 1942, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Rouen Cathedral, West Façade, Sunlight, Claude Monet, 1894

    Claude Monet

    Rouen Cathedral, West Façade, Sunlight, 1894

    National Gallery of Art