Luca SignorelliItalien, 1450–1523Darf man es sehen?
Paris, Frankreich
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c. 1450
Born
c. 1450
Only son in a Cortona family of painters
Luca was the only son of Gilio (Egidio) di Luca di Angelo di maestro Ventura and Bartolomea di Domenico di Schiffo; his father and forebears had been painters in Cortona for several generations.
c. 1470
Marries Gallizia Carnesecchi
Around 1470 Signorelli married Gallizia di Piero Carnesecchi; they had four children — Antonio, Felicia, Tommaso and Gabriella.
c. 1484
Returns to live in Cortona
After working in Florence, Siena and Rome, Signorelli returned to live in Cortona in his early forties; with an established reputation, he remained based there for the rest of his life, often travelling to the cities of the region to fulfil commissions.
1497
Invited to paint at Monte Oliveto Maggiore
Fra Domenico Airoldi, abbot and general of the Olivetan order, invited Signorelli to paint the monastery with the “Story of Saint Benedict”. He completed the eight lunettes of the north side before leaving the work for his most important commission, in Orvieto; from 1505 Sodoma finished the cycle.
5 April 1499
Contract for the chapel frescoes in Orvieto
Signorelli undertook to complete the vault of the cathedral's Cappella Nuova, begun by Fra Angelico, for 200 ducats, and the walls for a further 600, with lodging and a monthly allowance of two measures of wine and two quarters of corn. The contract required him to consult the Masters of the Sacred Page on theological matters — the first recorded instance of an artist receiving theological advice.