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  3. L'Annonciation
L'Annonciation, Lorenzo di Credi, 4e quart du XVe siècle (vers 1475 - 1500)
Lorenzo di Credi, PorträtLorenzo di CrediItalien, 1459–1537

L'Annonciation

4e quart du XVe siècle (vers 1475 - 1500) · Peintures

Angaben

4e quart du XVe siècle (vers 1475 - 1500)
14591537
Inventarnummer
MI 598

Derweil im Leben von Lorenzo di Credi

Das ganze Leben
  1. 1480/81

    First recorded in Verrocchio's workshop

    Having been taught first by his father, the goldsmith Andrea d'Oderigo, and then by Andrea del Verrocchio, he is first recorded in his master's workshop in 1480/81, on low wages. His fellow pupil in that workshop was Leonardo da Vinci, who considerably influenced his work.

  2. 1482–1483

    Runs Verrocchio's workshop in the master's absence

    Gradually becoming Verrocchio's principal assistant, he runs the workshop in 1482–1483 while the master is away.

  3. 1488

    Verrocchio dies and Lorenzo inherits the workshop

    Having become his master's principal assistant, he inherits Verrocchio's workshop on his death, when Lorenzo is still in his twenties. He largely continues Verrocchio's style and, according to Vasari, avoids large paintings, preferring smaller works with a meticulous finish.

  4. 1488

    Venice: Verrocchio's body and the Colleoni statue

    He brings his master's body from Venice, where Verrocchio died, back to Florence. Verrocchio's will recommends Lorenzo to the Venetian authorities to finish the equestrian statue of Bartolomeo Colleoni, which then existed only in clay; he transfers his rights to another artist, apparently a bronze technician, and several years later the statue is completed by the Venetian sculptor Alessandro Leopardi. By other accounts Lorenzo helped to finish the statue.

  5. after 1497

    A follower of Savonarola: turning away from worldly subjects

Mehr von Lorenzo di Credi

Alle Werke

Im selben Saal · Salle 709, Aile Denon, Niveau 1, Louvre

Museumsseite

After 1497 he becomes a follower of the fiery monk Girolamo Savonarola and rejects worldly subjects: apart from portraits, there are no mythological subjects among his known works, except for a nearly nude Venus for the Medici family. In his mature years he also turns to the manner of Fra Bartolommeo, Perugino and the young Raphael, as the “Crucifixion” in Göttingen and the “Annunciation” in Cambridge show.

Darf man es sehen?

Ja, es empfängt Besucher

Louvre

Paris, Frankreich

Saal709, Aile Denon, Niveau 1

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 12 Tagen
Unverändert seit
26. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Im Katalog

GemäldeÖlItalienische MalereiRenaissance15. Jahrhundert

Quellen

  • Louvre
  • Bild: Louvre — © 2023 GrandPalaisRmn (musée du Louvre) / Mathieu Rabeau
Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, Lorenzo di Credi, early 1490s

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel

early 1490s · Metropolitan Museum of Art

Saint Jean Baptiste partant dans le désert, Lorenzo di Credi, 4e quart du XVe siècle (vers 1475 - 1486)

Saint Jean Baptiste partant dans le désert

4e quart du XVe siècle (vers 1475 - 1486) · Louvre

Portrait of a Young Woman, Lorenzo di Credi, ca. 1490–1500

Portrait of a Young Woman

ca. 1490–1500 · Metropolitan Museum of Art

La Vierge et l'Enfant entourés de saint Julien et de saint Nicolas de Myre, Lorenzo di Credi, 4e quart du XVe siècle (1494)

La Vierge et l'Enfant entourés de saint Julien et de saint Nicolas de Myre

4e quart du XVe siècle (1494) · Louvre

Head of Woman Looking Right, Wenceslaus Hollar after Lorenzo di Credi

Head of Woman Looking Right

Nicht ausgestellt · National Gallery of Art

Studie voor een liggend Christuskind, Lorenzo di Credi, 1469 - 1537

Studie voor een liggend Christuskind

1469 - 1537 · Rijksmuseum Amsterdam

Noli me tangere, Lorenzo di Credi, Fin du XVe siècle - début du XVIe siècle (vers 1475 - 1525)

Noli me tangere

Fin du XVe siècle - début du XVIe siècle (vers 1475 - 1525) · Nicht ausgestellt · Louvre

Tête d'homme âgé, de face, coiffé d'une toque, Lorenzo di Credi

Tête d'homme âgé, de face, coiffé d'une toque

Louvre

Portrait de Sigismond Malatesta, seigneur de Rimini (1417-1468), Piero della Francesca, 3e quart du XVe siècle (1450 - 1475)

Attributed to Piero della Francesca

Porträt von Sigismondo Malatesta, 3e quart du XVe siècle (1450 - 1475)

La Décollation de saint Jean Baptiste et le Banquet d'Hérode, Fra Angelico, 2e quart du XVe siècle (1425 - 1450)

Fra Angelico

La Décollation de saint Jean Baptiste et le Banquet d'Hérode, 2e quart du XVe siècle (1425 - 1450)

Le Christ bénissant, Fra Angelico, 2e quart du XVe siècle (1425 - 1450)

Fra Angelico

Le Christ bénissant, 2e quart du XVe siècle (1425 - 1450)

Ange en adoration, Fra Angelico, 2e quart du XVe siècle (1425 - 1450)

Fra Angelico

Ange en adoration, 2e quart du XVe siècle (1425 - 1450)

Ange en adoration, Fra Angelico, 1e moitié du XVe siècle (1400 - 1450)

Fra Angelico

Ange en adoration, 1e moitié du XVe siècle (1400 - 1450)

Le Christ mort au tombeau, Pérugin, 3e quart du XVe siècle (1450 - 1475)

Pietro Perugino

Le Christ mort au tombeau, 3e quart du XVe siècle (1450 - 1475)

Saint Jérôme soutenant deux jeunes pendus injustement condamnés, Pérugin, 3e quart du XVe siècle (1450 - 1475)

Pietro Perugino

Saint Jérôme soutenant deux jeunes pendus injustement condamnés, 3e quart du XVe siècle (1450 - 1475)

Saint Jérôme ressuscitant l'évêque Andréa, Pérugin, 3e quart du XVe siècle (1450 - 1475)

Pietro Perugino

Saint Jérôme ressuscitant l'évêque Andréa, 3e quart du XVe siècle (1450 - 1475)