Pierre-Auguste RenoirFrankreich, 1841–1919La Lecture du rôle
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Musée des Beaux-Arts de Reims
Reims, Frankreich
Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.
- Unverändert seit
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- Das Museum
Über das Gemälde
In den Worten des Museums — auf Französisch
Huile sur bois ; Jeune femme en buste, légèrement de trois-quarts gauche, mains jointes, le bras droit reposant sur un dossier, regardant face à elle un homme lui lisant une lettre, tandis qu'un second est visible derrière elle.
Musée des Beaux-Arts de Reims
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- Inventarnummer
- 907.19.222
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- Musée des Beaux-Arts de Reims
- Bild: Musée des Beaux-Arts de Reims — © Christian DEVLEESCHAUWER; Ministère de la Culture (France), base Joconde
Derweil im Leben von Pierre-Auguste Renoir
Das ganze Leben15 April – 15 May 1874
First Impressionist exhibition
Renoir took an active part in organizing the exhibition and showed a pastel and six paintings, among them "The Dancer" and "La Loge" (The Theater Box). It was at his suggestion that the catalogue carried the title of Monet's painting "Impression, Sunrise," which gave rise to the word "Impressionists."
1876
Second Impressionist exhibition
Hoping to secure an income from portrait commissions, Renoir showed mainly portraits at the second Impressionist exhibition.
1879
Triumph at the Salon of 1879
Presenting "Portrait of Madame Charpentier and Her Children" and the full-length "Portrait of the Actress Jeanne Samary," Renoir won universal recognition, and with it financial independence.
