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  1. Sammlung/
  2. National Gallery of Art/
  3. Konrad Cramer
Konrad Cramer, Alfred Stieglitz, 1914

Konrad Cramer

1914 · Photograph

Angaben

1914 · mit 50 Jahren
18641946
Inventarnummer
1949.3.342

Derweil im Leben von Alfred Stieglitz

Das ganze Leben
  1. August 1912

    A Camera Work issue on Matisse and Picasso

    By the summer of 1912 Stieglitz was so enthralled with non-photographic art that he devoted the August issue of Camera Work entirely to Matisse and Picasso.

  2. February 1913

    The Armory Show, and his own photographs at 291

    Stieglitz lent works from 291 to the organisers, Walter Pach, Arthur B. Davies and Walt Kuhn, and was listed as an honorary vice-president of the exhibition along with Claude Monet, Odilon Redon, Mabel Dodge and Isabella Stewart Gardner. He saw the Armory Show, which opened in February 1913, as a vindication of his five years of work at 291, where he simultaneously showed his own photographs so that the public could see photographs and modern paintings side by side.

  3. 1914

    African sculpture and children's drawings at 291

    In 1914 Stieglitz presented African sculpture to the public, followed by children's drawings.

  4. January – May 1916

    Meets Georgia O'Keeffe

    In January 1916 the suffragist Anita Pollitzer showed Stieglitz a set of charcoal drawings by Georgia O'Keeffe, and he decided to exhibit them at 291 without meeting her or asking her permission. In late May O'Keeffe heard of it from a friend and came to the gallery to chastise him, which is how they met; by the summer of 1917 they were writing each other their most private thoughts.

Mehr von Alfred Stieglitz

Alle Werke

Nachbarn im Haus: National Gallery of Art

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Zum selben Thema · New York City

Alle Werke zum Thema
Alfred Stieglitz, PorträtAlfred StieglitzVereinigte Staaten, 1864–1946

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

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Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

New York CityPorträtInteriorArtArt galleryMannCramer, Konrad

Im Katalog

FotografienPlatindruckModerne20. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., Allen Ginsberg, 1992

Allen Ginsberg

Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., 1992

Nicht ausgestellt · National Gallery of Art

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., Allen Ginsberg, 1953, printed 1990

Allen Ginsberg

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., 1953, printed 1990

Nicht ausgestellt · National Gallery of Art

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Nicht ausgestellt · National Gallery of Art

Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., Allen Ginsberg, 1993, printed 1994

Allen Ginsberg

Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., 1993, printed 1994

Nicht ausgestellt · National Gallery of Art

Gutterboy band—Barb Morrison, Dito Montiel Danny Hulsizer with button shirt & his brother Eric, with drummer Johnny Koncz on Canal Street, Allen Ginsberg, c. 1987

Allen Ginsberg

Gutterboy band—Barb Morrison, Dito Montiel Danny Hulsizer with button shirt & his brother Eric, with drummer Johnny Koncz on Canal Street, c. 1987

Nicht ausgestellt · National Gallery of Art

John Giorno, Henry Geldzahler, in his garden West 9th Street, N.Y.C., Raymond Foye, A. Ginsberg rear, next to Francesco Clemente  (whose Castelli - Mary Boone painting show was to open later that day with receptions), William Burroughs stepping forward glass in hand arms round Alan Ansen's shoulders, March 30, 1985. Snapped by Ira Silverberg. Allen Ginsberg, Allen Ginsberg, 1985

Allen Ginsberg

John Giorno, Henry Geldzahler, in his garden West 9th Street, N.Y.C., Raymond Foye, A. Ginsberg rear, next to Francesco Clemente (whose Castelli - Mary Boone painting show was to open later that day with receptions), William Burroughs stepping forward glass in hand arms round Alan Ansen's shoulders, March 30, 1985. Snapped by Ira Silverberg. Allen Ginsberg, 1985

Nicht ausgestellt · National Gallery of Art

The first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953., Allen Ginsberg, 1953, printed later

Allen Ginsberg

The first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953., 1953, printed later

Nicht ausgestellt · National Gallery of Art

Boiler repairmen on East 12th Street near Avenue A, Manhattan December 4, 1986., Allen Ginsberg, 1986

Allen Ginsberg

Boiler repairmen on East 12th Street near Avenue A, Manhattan December 4, 1986., 1986

Nicht ausgestellt · National Gallery of Art