Karikatuur van de regeringsleiders, Honoré Daumier, 1834
Honoré Daumier, PorträtHonoré DaumierFrankreich, 1808–1879

Karikatuur van de regeringsleiders

1834 · cartoon

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Wo ist „Karikatuur van de regeringsleiders“ heute? Sammlung: Rijksmuseum Amsterdam, Amsterdam. Unbekannt.

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In den Worten des Museums — auf Niederländisch

Voor het Panthéon, de 'tempel' voor de grote Fransen, hangen diverse leden van de regering van koning Lodewijk Filips I van Frankrijk aan de galg.

Rijksmuseum Amsterdam

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Inventarnummer
RP-P-1965-706B

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Im Leben von Honoré Daumier

Das ganze Leben
  1. 1832

    Trial for Insulting the King

    In February 1832 Daumier stood trial on charges of "inciting hatred and contempt for the government and insulting the king" and was sentenced to six months in prison and a fine of 500 francs; execution of the sentence was deferred.

  2. 1832

    Arrest and Imprisonment at Sainte-Pélagie

    In August 1832 Daumier was arrested at his parents' apartment and placed in the Sainte-Pélagie prison to serve his six-month sentence; in prison he remained defiant and continued to draw "to spite the government." His imprisonment brought him considerable fame.

  3. 14 February 1833

    Release and Move to an Artists' Phalanstery

    After his release from prison on 14 February 1833, Daumier, who had until then lived with his parents, moved into an artists' phalanstery on the Rue Saint-Denis, where his friends included Diaz, Huet, Jeanron, Decamps, and Préault.

  4. 1834

    Closure of La Caricature; Move to Le Charivari

    In 1834 La Caricature collapsed under the weight of the monarchy's prosecutions and fines; Daumier continued working for Philipon's journal Le Charivari, founded in December 1832, where he published scenes from "The Adventures of Robert Macaire" and other series.

  5. 1835

    The "September Laws" Restricted Press Freedom

    After an assassination attempt on Louis-Philippe, the "September Laws" were enacted, imposing harsh fines and prison terms for criticizing the king; Daumier's caricatures softened and turned to satire of the bourgeoisie and everyday Parisian life.

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