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  1. Sammlung/
  2. Slowakische Nationalgalerie/
  3. Jules Favry
Jules Favry, Honoré Daumier, 1848–1849
Honoré Daumier, PorträtHonoré DaumierFrankreich, 1808–1879

Jules Favry

1848–1849 · Print

Darf man es sehen?

Unbekannt

Slowakische Nationalgalerie

Bratislava, Slowakei

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
27. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1848–1849
18081879

Im Katalog

DruckgrafikRomantikRealismus19. Jahrhundert

Quellen

  • Slowakische Nationalgalerie
  • Bild: Slowakische Nationalgalerie — Public Domain Mark 1.0

Derweil im Leben von Honoré Daumier

Das ganze Leben
  1. 1846

    Move to the Île Saint-Louis; Meeting Baudelaire

    In 1846 the couple moved to 9 Quai d'Anjou on the Île Saint-Louis, where they lived until 1863. Writers and artists gathered at the nearby Hôtel de Lauzun; there Daumier met Baudelaire, who became his close friend and champion, and grew close to Corot, Courbet, Delacroix, Millet, and Rousseau.

  2. 2 February 1846

    Birth of His Son Honoré

    On 2 February 1846 the seamstress Alexandrine Dassy gave birth to Daumier's son, named Honoré.

  3. 16 April 1846

    Marriage to Alexandrine Dassy

    On 16 April 1846 Daumier married Alexandrine Dassy.

  4. 1848

    Sketch "The Republic" Among Competition Finalists

    On Courbet's advice, Daumier submitted an oil sketch, "The Republic" (now in the Musée d'Orsay), to the competition for an allegory of the new Republic; it was very well received and was among the twenty finalists, but Daumier never executed the finished painting.

  5. 1848

    Albums on the Revolution of 1848

    The Revolution of 1848 provided the material for two of Daumier's albums, "Parliamentary Idylls" and "The Representatives Represented"; he once again launched a political campaign in the pages of Le Charivari.

  6. 1849

    First Participation in the Salon

    In 1849 Daumier exhibited at the Salon for the first time, showing the painting "The Miller, His Son, and the Donkey"; from the late 1840s he devoted himself increasingly to painting.

Mehr von Honoré Daumier

Alle Werke
The Third-Class Carriage, Honoré Daumier, 1864

The Third-Class Carriage

1864 · Metropolitan Museum of Art

Jean-Marie Fruchard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Jean-Marie Fruchard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Jean-Charles Persil, Honoré Daumier, model c. 1832/1835, cast 1929/1940

Jean-Charles Persil

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Auguste Gady, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Auguste Gady

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Pierre-Paul Royer-Collard, Honoré Daumier, model c. 1832/1835, cast 1929/1930

Pierre-Paul Royer-Collard

model c. 1832/1835, cast 1929/1930 · National Gallery of Art

Alexandre-Simon Pataille, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Alexandre-Simon Pataille

model c. 1832/1835, cast 1929/1950 · National Gallery of Art

Horace-François-Bastien Sébastiani (?), Honoré Daumier, model c. 1832/1835, cast 1929/1940

Horace-François-Bastien Sébastiani (?)

model c. 1832/1835, cast 1929/1940 · National Gallery of Art

Jacques-Antoine-Adrien, Baron Delort, Honoré Daumier, model c. 1832/1835, cast 1929/1950

Jacques-Antoine-Adrien, Baron Delort

model c. 1832/1835, cast 1929/1950 · National Gallery of Art