Juda en Tamar, Hendrick Goltzius, 1580 - 1596
Hendrick Goltzius, PorträtHendrick GoltziusNiederlande, 1558–1617

Juda en Tamar

1580 - 1596 · Print

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Rijksmuseum Amsterdam

Amsterdam, Niederlande

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Ronde voorstelling van Juda en Tamar. Tamar zit op de voorgrond naast een boom, gekleed als een courtisane. Op de achtergrond rechts zijn Tamar en Juda samen te zien. Met verwijzing naar de bijbeltekst in Gen:38. Gereconstrueerd uit twee fragmenten.

Rijksmuseum Amsterdam

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NG-2011-40-7

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Derweil im Leben von Hendrick Goltzius

Das ganze Leben
  1. 1579

    Marriage to a wealthy widow

    At 21 he married a wealthy widow considerably older than himself. The "unequal marriage" gave him economic independence: he bought a house, opened his own engraving workshop, and two years later took on two apprentices.

  2. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  6. 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

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