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  1. Sammlung/
  2. National Gallery of Art/
  3. Jan Snellinx
Jan Snellinx, Sir Anthony van Dyck, probably 1626/1641
Anthony van Dyck, PorträtAnthony van DyckFlandern, 1599–1641

Jan Snellinx

probably 1626/1641 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

probably 1626/1641
15991641
Inventarnummer
1943.3.8256

Was es zeigt

CostumePorträtGesichtMann

Im Katalog

DruckgrafikRadierungBarock17. JahrhundertFlemish

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von Anthony van Dyck

Das ganze Leben
  1. 1624

    Quarantine During the Plague in Palermo

    In Palermo Van Dyck found himself in quarantine during the plague of 1624, one of the most severe in Sicily's history; there he created an important series of paintings of Saint Rosalia, the city's patroness, establishing her iconography for the Italian Baroque.

  2. April 1624

    Invitation to Palermo

    In April 1624 Emmanuel Philibert of Savoy, Viceroy of Sicily, invited Van Dyck to Palermo to paint his portrait.

  3. 1626–1632

    The Iconography Print Series

    After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.

  4. 5 July 1632

    Principal Painter to King Charles I

    On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.

  5. 27. Februar 1640

    Married: Mary Ruthven

  6. 9. Dezember 1641

    Died

Mehr von Anthony van Dyck

Alle Werke
The Betrayal of Christ, Anthony van Dyck, c. 1618–20

The Betrayal of Christ

c. 1618–20 · Minneapolis Institute of Art

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622

Lucas van Uffel (died 1637)

ca. 1622 · Metropolitan Museum of Art

Queen Henrietta Maria, Anthony van Dyck, 1636

Queen Henrietta Maria

1636 · Metropolitan Museum of Art

Maria Stuart en Willem II, Anthony van Dyck, 1641

Maria Stuart en Willem II

1641 · Rijksmuseum Amsterdam

Rest on the Flight into Egypt (Madonna with Partridges), Anthony van Dyck, 17th century

Rest on the Flight into Egypt (Madonna with Partridges)

17th century · Eremitage

Two Tritons at the Feast of Acheloüs, Anthony van Dyck

Two Tritons at the Feast of Acheloüs

Metropolitan Museum of Art

Le Christ mort pleuré par la Vierge et des anges, Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Le Christ mort pleuré par la Vierge et des anges

XVIIe siècle (1600 - 1700) · Louvre

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684), Dyck, Antoon van, XVIIe siècle (1600 - 1700)

Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684)

XVIIe siècle (1600 - 1700) · Louvre

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Costume

Alle Werke zum Thema
a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

Nicht ausgestellt · National Gallery of Art

Orphan Man, Standing, Vincent van Gogh, 1882

Vincent van Gogh

Orphan Man, Standing, 1882

Nicht ausgestellt · National Gallery of Art

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), Pablo Picasso, 1934

Pablo Picasso

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), 1934

Nicht ausgestellt · National Gallery of Art

Rembrandt in a "turban," in "furs," and in the "elephant's eye" (Rembrandt au "turban," aux "fourrures," et à l'oeil d'éléphant"), Pablo Picasso, 1934

Pablo Picasso

Rembrandt in a "turban," in "furs," and in the "elephant's eye" (Rembrandt au "turban," aux "fourrures," et à l'oeil d'éléphant"), 1934

Nicht ausgestellt · National Gallery of Art

Spartan Envoys (Serment des femmes), Pablo Picasso, 1934

Pablo Picasso

Spartan Envoys (Serment des femmes), 1934

Nicht ausgestellt · National Gallery of Art

Negotiation between the Athenians and the Spartan Envoys (Accord entre les guerriers de Sparte d'Athenes), Pablo Picasso, 1934

Pablo Picasso

Negotiation between the Athenians and the Spartan Envoys (Accord entre les guerriers de Sparte d'Athenes), 1934

Nicht ausgestellt · National Gallery of Art

The Reading (La lecture), Pablo Picasso, 1926

Pablo Picasso

The Reading (La lecture), 1926

Nicht ausgestellt · National Gallery of Art

Acrobat in Repose (Le saltimbanque au repos), Pablo Picasso, 1905, published 1913

Pablo Picasso

Acrobat in Repose (Le saltimbanque au repos), 1905, published 1913

Nicht ausgestellt · National Gallery of Art