Carl Olof LarssonSchweden, 1853–1919In the Kitchen Garden
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Wo ist „In the Kitchen Garden“ heute? Sammlung: Schwedisches Nationalmuseum, Stockholm. Derzeit nicht ausgestellt. Geprüft 9. Oktober 2026.
Stockholm, Schweden
Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.
- Geprüft
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Über das Gemälde
The vegetable patch is bathed in sunlight. Carl Larsson’s portrayal of light is so realistic that we almost share the girl’s experience of being blinded by it. There is not much shade in this picture. That is because the sun is high in the sky, but the artist has probably also chosen to leave it out to maximize the effect of strong sunlight. The painting was made in the international artist colony in Grez-sur-Loing south of Paris, where Larsson developed his watercolour technique in 1883–1884, in lighting conditions that were different from Sweden.
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Schwedisches Nationalmuseum · 9. Okt. 2026 — jetzt · Geprüft
Ob es ausgestellt war, ist unbekannt
Schwedisches Nationalmuseum · 27. Sept. 2026 — 9. Okt. 2026 · Unbestätigt
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- Schwedisches Nationalmuseum
- Bild: Schwedisches Nationalmuseum — Public Domain Mark 1.0
Im Leben von Carl Olof Larsson
Das ganze Leben1882
From Barbizon to the Scandinavian colony at Grez-sur-Loing
After two summers in Barbizon, the refuge of the plein-air painters, in 1882 he settled for a time with his Swedish colleagues at Grez-sur-Loing, a Scandinavian artists’ colony outside Paris.
1882–1883
Meets Karin Bergöö, a turning point in his life
At Grez he met the artist Karin Bergöö, who would soon become his wife. The meeting was a turning point in his life.
1883
Marries Karin Bergöö
In 1883 he married Karin Bergöö; she also worked as an interior designer, and many of the interiors he depicted were her work.
12. Juni 1883
Married: Karin Larsson
1884
Daughter born: Suzanne Larsson
1884–1900
Eight children, the artist’s favourite models
Carl and Karin had eight children: Suzanne (b. 1884), Ulf (1887), Pontus (1888), Lisbeth (1891), Brita (1893), Mats (1894), Kersti (1896) and Esbjörn (1900). Ulf died at eighteen and Mats at the age of two months, and the life of the family became Larsson’s chief subject.
