Utagawa KunisadaJapan, 1786–1865Hoofdstuk 51
Darf man es sehen?
Unbekannt
Rijksmuseum Amsterdam
Amsterdam, Niederlande
Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.
- Quelle
- Das Museum
Über das Werk
In den Worten des Museums — auf Niederländisch
Elegant geklede man zittend op bank, kijkend naar knielende man; twee vrouwen toekijkend vanachter een schuifdeur. Voorstelling omsloten door bruine rand waarin Genji emblemen.
Rijksmuseum Amsterdam
Angaben
- Inventarnummer
- RP-P-1902-A-22859
Was es zeigt
Im Katalog
Quellen
- Rijksmuseum Amsterdam
- Bild: Rijksmuseum Amsterdam — public domain
Derweil im Leben von Utagawa Kunisada
Das ganze Leben1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
