Guido Reni, PorträtGuido ReniItalien, 1575–1642

Hippomène et Atalante

1575 entre,1615 et · Painting · 200.5 × 281.5 cm

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Wo ist „Hippomène et Atalante“ heute? Sammlung: Musée des Beaux-Arts de Libourne, Libourne. Unbekannt.

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Unverändert seit
Quelle
Das Museum

Angaben

Inventarnummer
2022.0.1 ; D.872.1.6

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Quellen

  • Musée des Beaux-Arts de Libourne
  • Bild: Musée des Beaux-Arts de Libourne — © Libourne ; musée des beaux-arts et d'archéologie; Ministère de la Culture (France), base Joconde

Im Leben von Guido Reni

Das ganze Leben
  1. 4. November 1575

    Born

  2. 1584

    He gives up music for Denis Calvaert's studio

    In 1584, according to the biographer Carlo Cesare Malvasia, who knew the artist personally, the boy gives up the music his father had begun teaching him and enters the studio of the Flemish painter Denis Calvaert, who undertook to keep his apprentice for ten years. There he studies engravings by Dürer and Raphael and teaches himself copper engraving with the burin; soon Francesco Albani and Domenichino join the studio.

  3. c. 1595

    He enters Ludovico Carracci's Accademia degli Incamminati

    At about twenty he enters the Bolognese “Accademia degli Incamminati”, headed by Ludovico Carracci; his friend and fellow pupil Francesco Albani follows him at once.

  4. by 1601

    He moves to Rome: the Farnese Palace frescoes

    By the end of 1601 he and Albani move to Rome to work, under Annibale Carracci, Ludovico's cousin, on the frescoes of the Farnese Palace.

  5. 1607–1614

    Under Paul V: one of the Borghese family's leading painters

    After returning briefly to Bologna he goes back to Rome and becomes one of the premier painters under Pope Paul V (Borghese); between 1607 and 1614 he is one of the painters most patronized by the Borghese family.

  6. c. 1614

    He leaves Rome over low pay

    According to rumour he was assigned to paint the papal Chapel of the Annunciation at Montecavallo, but, feeling underpaid by the papal ministers, Reni leaves Rome for Bologna once again, leaving the role of the city's pre-eminent artist to Domenichino.

Alle Werke

Aus der Sammlung: Musée des Beaux-Arts de Libourne

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