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  3. Het zieke kind
Het zieke kind, Gabriël Metsu, c. 1664 - c. 1666

Het zieke kind

c. 1664 - c. 1666 · Painting

Über das Gemälde

The Sick Child (Dutch: Het zieke kind) or The Sick Girl is an oil on canvas genre painting by the Dutch artist Gabriël Metsu, created c. 1660. It has been held by the Rijksmuseum, in Amsterdam, since it was bought in 1928, with assistance from the Vereniging Rembrandt at a sale of works from the collection of Oscar Huldschinsky in Berlin.

Metsu painted in a variety of styles and genres through his artistic career. He painted The Sick Child towards the end of his life, when his style resembled Pieter de Hooch or Johannes Vermeer, with bright light, weak shadows, and fresh even colours, but with thicker paint and coarser brushstrokes so a less refined style than Vermeer. The painting was probably made after an outbreak of the bubonic plague in Amsterdam from 1663 to 1666: this last epidemic in Amsterdam killed a tenth of the population.

Weiterlesen

The painting measures 32.2 cm × 27.2 cm (12.7 in × 10.7 in). The composition resembles a Pietà: a mother is cradling her listless child, probably a girl, on her lap, recalling religious works depicting the Virgin Mary cradling the dead body of Jesus. The positions of the mother and the child create diagonals crossing near the mother's heart. The child gazes out vacantly past the viewer and into the distance, with her mother leaning over her attentively. The mother's bright red skirt and blue apron, and the child's yellow and white clothes, contrast with the otherwise muted tones of the room. A pot with a spoon lies unheeded on a table to the left, with the child too lethargic to eat. To the right, some clothes lie on a chair. Hanging on the wall is a map of Europe, which bears the artist's signature "G. Metsue", and a drawing of Christ on the cross, echoing the suffering in the room.

Derweil im Leben von Gabriël Metsu

Das ganze Leben
  1. 1657–1667 · Wirkungsort

    Amsterdam

  2. 1662

    Jan Vos’s poem on “Visit to the Nursery”

    Jan Vos published a poem about this painting, which belonged to Jan Hinlopen: the scene is set in an imaginary room of unrealistically large proportions, and hung in the reception room of Hinlopen’s house it alluded to his powerful role in local politics.

  3. 24. Oktober 1667

    Died

Mehr von Gabriël Metsu

Alle Werke

Im selben Saal · Room 2.25 · Painting, Rijksmuseum Amsterdam

Museumsseite

Zum selben Thema · Mother and son(s) (family group)

Alle Werke zum Thema

It is possible that Metsu's wife Isabella was the model for the mother in the painting: the woman wears the cap of a married woman and a wedding ring, and the earrings are seen in earlier portraits of Isabella (c.1658). The child may be theirs, although none is recorded, or possibly the child of Metsu's patron Jan Jacobszoon Hinlopen, whose family Metsu had painted in 1661 and 1663 (see Metsu's Portrait of the Family Hinlopen): Hinlopen's daughter Geertruit died of measles aged 19 months in August 1663.

Wikipedia · CC BY-SA

In den Worten des Museums

In 1663, the plague ravaged Amsterdam, claiming one in ten lives. Around this time, Metsu painted this picture of a mother comforting her sick child. Their posture evokes a pieta: the Virgin Mary with the body of Jesus on her lap. The painting on the wall, depicting Christ on the cross, serves as a poignant reminder of that suffering.

Rijksmuseum Amsterdam

Angaben

c. 1664 - c. 1666
16291667
Inventarnummer
SK-A-3059
Gabriël Metsu, PorträtGabriël MetsuNiederlande, 1629–1667

Darf man es sehen?

Ja, es empfängt Besucher

Rijksmuseum Amsterdam

Amsterdam, Niederlande

Saal2.25 · Painting

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 3 Tagen
Unverändert seit
29. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
De jagersbuit, Gabriël Metsu, c. 1658 - c. 1661

De jagersbuit

c. 1658 - c. 1661 · Rijksmuseum Amsterdam

Portrait of Lucia Wijbrants, Gabriël Metsu, 1667

Portrait of Lucia Wijbrants

1667 · Minneapolis Institute of Art

Lace-Maker, Gabriël Metsu, 17th century

Lace-Maker

17th century · Eremitage

Prodigal Son, Gabriël Metsu, 1649

Prodigal Son

1649 · Eremitage

Le Christ prenant la défense de la femme adultère, Metsu, Gabriel, 3e quart du XVIIe siècle (1653)

Le Christ prenant la défense de la femme adultère

3e quart du XVIIe siècle (1653) · Louvre

La Riboteuse hollandaise, Metsu, Gabriel, 3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658)

La Riboteuse hollandaise

3e quart du XVIIe siècle (A dater vers 1657-1658, à la fin de la période leydoise de l'artiste sinon au début de sa période amsterdamoise, marquée par l'exemple de Ter Borch.) (1657 - 1658) · Louvre

A Musical Party, Gabriël Metsu, 1659

A Musical Party

1659 · Metropolitan Museum of Art

The Intruder, Gabriel Metsu, c. 1660

The Intruder

c. 1660 · National Gallery of Art

Man Smoking a Pipe, Gerrit Dou, c. 1650 - c. 1655

Gerrit Dou

Man Smoking a Pipe, c. 1650 - c. 1655

Galante conversatie, bekend als ‘De vaderlijke vermaning’, Gerard ter Borch, c. 1654 - c. 1655

Gerard ter Borch

Galante Konversation, c. 1654 - c. 1655

Vrouw in boerenkostuum, Gerard ter Borch, c. 1648 - c. 1650

Gerard ter Borch

Vrouw in boerenkostuum, c. 1648 - c. 1650

Helena van der Schalcke, Gerard ter Borch, c. 1648

Gerard ter Borch

Helena van der Schalcke, c. 1648

De jagersbuit, Gabriël Metsu, c. 1658 - c. 1661

Gabriël Metsu

De jagersbuit, c. 1658 - c. 1661

Memorial Portrait of Moses ter Borch, Gesina ter Borch, 1667 - 1669

Gesina ter Borch

Memorial Portrait of Moses ter Borch, 1667 - 1669

Portrait of Moses ter Borch as a Two-Year-Old, Gesina ter Borch, in or after 1667

Gesina ter Borch

Portrait of Moses ter Borch as a Two-Year-Old, in or after 1667

Zittende vrouw in het geel met bladmuziek in de hand, naast haar een luit op de tafel, Aleijda Wolfsen, 1667

Aleijda Wolfsen

Zittende vrouw in het geel met bladmuziek in de hand, naast haar een luit op de tafel, 1667

Borek Sipek - Presov Slowakia 'Pro J.P.' - 1991, Erwin Olaf, 1991

Erwin Olaf

Borek Sipek - Presov Slowakia 'Pro J.P.' - 1991, 1991

Rijksmuseum Amsterdam

Henriette et sa mère, Raoul Dufy, c. 1925

Raoul Dufy

Henriette et sa mère, c. 1925

Rijksmuseum Amsterdam

Peter Fendi en zijn moeder onderweg van de hooimarkt naar de stad, Peter Fendi, 1824

Fendi, Peter

Peter Fendi en zijn moeder onderweg van de hooimarkt naar de stad, 1824

Rijksmuseum Amsterdam

Portret van een vrouw en een jongeman, mogelijk moeder en zoon, anonymous, c. 1880 - c. 1900

anonymous

Portret van een vrouw en een jongeman, mogelijk moeder en zoon, c. 1880 - c. 1900

Rijksmuseum Amsterdam

Moeder met drie zoons bij de Afsluitdijk in Friesland, anonymous, 1937-07

anonymous

Moeder met drie zoons bij de Afsluitdijk in Friesland, 1937-07

Rijksmuseum Amsterdam

Petronella met Titia en Johannes Cock Blomhoff, anonymous, 1817 - 1854

anonymous

Petronella met Titia en Johannes Cock Blomhoff, 1817 - 1854

Rijksmuseum Amsterdam

Portret van Susanna Jacoba Hermina des Tombe met zoontje Frans, anonymous, 1883

anonymous

Portret van Susanna Jacoba Hermina des Tombe met zoontje Frans, 1883

Rijksmuseum Amsterdam

Journal des Dames et des Modes, Costume Parisien, 23 août 1800, (239) : Capote en Crêp (...), anonymous, 1800

anonymous

Journal des Dames et des Modes, Costume Parisien, 23 août 1800, (239) : Capote en Crêp (...), 1800

Rijksmuseum Amsterdam

Was es zeigt

Crucified Christ, with particular persons under the crossMother and son(s) (family group)Patient, sick personPicture, painting

Im Katalog

GemäldeÖlNiederländische MalereiBarock17. Jahrhundert

Kommen und Gehen

  1. Ausgestellt · Room 2.25 · Painting

    Rijksmuseum Amsterdam · 29. Sept. 2026 — jetzt · Geprüft

  2. Ob es heute ausgestellt ist, ist unbekannt

    Rijksmuseum Amsterdam · Unbestätigt

Quellen

  • Rijksmuseum Amsterdam
  • Bild: Rijksmuseum Amsterdam — public domain