Hamlet and Guildenstern (Act III, Scene II), Eugène Delacroix, 1834/1843
Eugène Delacroix, PorträtEugène DelacroixFrankreich, 1798–1863

Hamlet and Guildenstern (Act III, Scene II)

1834/1843 · Portfolio

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Derzeit nicht ausgestellt

Wo ist „Hamlet and Guildenstern (Act III, Scene II)“ heute? Sammlung: National Gallery of Art, Washington, D.C. Derzeit nicht ausgestellt. Geprüft 29. September 2026.

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

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Unverändert seit
Quelle
Das Museum

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Inventarnummer
1980.45.405

Was es zeigt

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Im Leben von Eugène Delacroix

Das ganze Leben
  1. 1832

    Journey to Spain and North Africa

    As part of the diplomatic mission of Charles-Edgar de Mornay, Delacroix traveled to Morocco shortly after the French conquest of Algeria. The journey proved a turning point: he made dozens of sketches, and his impressions of North Africa nourished his art for the rest of his life.

  2. 1832

    "Liberty" Removed from Public Display

    By 1832 officials had deemed the painting's glorification of liberty too provocative and removed it from public display; nevertheless Delacroix continued to receive state commissions.

  3. 1833

    Beginning of the Friendship with Marie-Élisabeth Blavot-Boulanger

    In 1833 Delacroix formed a friendship with the painter Marie-Élisabeth Blavot-Boulanger that lasted the rest of his life.

  4. 1833–1837

    Decoration of the Salon du Roi in the Palais Bourbon

    From 1833 Delacroix received numerous commissions to decorate the public buildings of Paris; the first was his work on the Salon du Roi in the Chamber of Deputies at the Palais Bourbon, completed in 1837.

  5. 1835

    Serious Throat Illness Discovered

    In 1835 Delacroix was found to have a serious throat ailment which, alternately subsiding and flaring up, eventually brought him to his grave.

  6. 1838

    "Medea" Causes a Sensation at the Salon

    Delacroix exhibited Medea About to Kill Her Children — his first major engagement with Greek mythology; the painting caused a sensation at the Salon and was quickly purchased by the state.

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