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  1. Sammlung/
  2. National Gallery of Art/
  3. Goriano Sicoli, Abruzzi
Goriano Sicoli, Abruzzi, M.C. Escher, 1929
Maurits Cornelis Escher, PorträtMaurits Cornelis EscherNiederlande, 1898–1972

Goriano Sicoli, Abruzzi

1929 · Print

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vorgestern
Unverändert seit
19. Aug. 2026
Quelle
Sammlungsdaten des Museums selbst
Auf der KarteMuseumsseite

Angaben

1929 · mit 31 Jahren
18981972
Inventarnummer
1973.65.18

Was es zeigt

BaumMountainsStadtRoadGebäude

Im Katalog

DruckgrafikLithografieModerne20. JahrhundertDutch

Quellen

  • National Gallery of Art: die offenen Daten des Museums · abgerufen vor 8 Tagen
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Maurits Cornelis Escher

Das ganze Leben
  1. November 1923 – 1935

    Rome and yearly journeys through Italy

    From November 1923 Escher lived in Rome and until 1935 travelled each year for at least two months through Italy — Sicily, Abruzzo, Campania, and also Corsica, Malta and Tunisia; these journeys produced many landscapes whose perspective already hints at his later geometric experiments. He could not support his family on the sale of his work and lived on his father’s help.

  2. 1924–1935 · Wirkungsort

    Rome

  3. 1929

    Five exhibitions in Holland and Switzerland

    By the late 1920s Escher had become known in the Netherlands — not least through the efforts of his parents, who had moved to The Hague; in 1929 he held five exhibitions in Holland and Switzerland that were well received even in the most influential Dutch newspapers. It was then that his pictures were first called mechanical and “logical”.

  4. 1930–1933

    Illness, the book “Emblemata” and a Rijksmuseum purchase

    In late 1930 and in 1931 Escher’s health worsened and his work slowed; G. J. Hoogewerf, director of the Dutch historical institute in Rome, suggested he write to magazines about some of his works and publish a book — the selected works appeared in 1932 as “Emblemata”. In 1933 the print room of the Rijksmuseum in Amsterdam acquired twenty-six of his works.

Mehr von Maurits Cornelis Escher

Alle Werke
Green Sea, M.C. Escher

Green Sea

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Nicht ausgestellt · National Gallery of Art

Portrait, M.C. Escher

Portrait

Nicht ausgestellt · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Nicht ausgestellt · National Gallery of Art

Pond, M.C. Escher

Pond

Nicht ausgestellt · National Gallery of Art

Railroad, M.C. Escher

Railroad

Nicht ausgestellt · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Nicht ausgestellt · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888