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  1. Sammlung/
  2. National Gallery of Art/
  3. Gloucester Fishing
Gloucester Fishing, Gordon Parks, 1942, printed later
Gordon Parks, PorträtGordon ParksVereinigte Staaten, 1912–2006

Gloucester Fishing

1942, printed later · Photograph

Angaben

1942, printed later · mit 30 Jahren
19122006
Inventarnummer
2016.117.108

Derweil im Leben von Gordon Parks

Das ganze Leben
  1. c. 1940 (aged 28)

    Buys his first camera and teaches himself to shoot

    Struck by magazine photographs of migrant workers, at twenty-eight he buys a Voigtländer Brillant for $12.50 at a Seattle pawnshop and teaches himself photography. The clerks who develop his first roll of film applaud his work and urge him to seek a fashion assignment at Frank Murphy’s women’s clothing store in St. Paul.

  2. 1940

    Moves to Chicago on Marva Louis’s advice

    His photographs for the St. Paul store catch the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis, who encourages Parks and his wife Sally Alvis to move to Chicago. There he opens a portrait business and specialises in photographs of society women.

  3. 1940

    Daughter born: Toni Parks

  4. 1941

    Exhibition of photographs of Chicago’s Black ghetto

    While chronicling the South Side Black ghetto of Chicago, he sees an exhibition of these photographs win him a photography fellowship with the Farm Security Administration (FSA); other accounts link his invitation to the FSA to the Rosenwald Fellowship of 1942.

  5. 1942

    Receives the Rosenwald Fellowship

    The Julius Rosenwald Fellowship, $200 a month with the choice of employer, rewards his work in Chicago, especially his capturing of the myriad experiences of African Americans across the city. It contributes to his being asked to join the FSA, which under Roy Stryker was chronicling the nation’s social conditions.

Mehr von Gordon Parks

Alle Werke

Nachbarn im Haus: National Gallery of Art

Museumsseite

Zum selben Thema · Daily life

Alle Werke zum Thema
  • c. 1942

    Stryker calls the picture an indictment of America

    Seeing the photograph, Stryker says it is an indictment of America that could get all of his photographers fired, and urges Parks to keep working with Watson, which leads to a series of pictures of her daily life. Parks later says his first image was overdone and not subtle.

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    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — © the artist or rights holder
    Washington, D.C. Government Charwoman (American Gothic), Gordon Parks, July 1942, printed later

    Washington, D.C. Government Charwoman (American Gothic)

    July 1942, printed later · National Gallery of Art

    Off on My Own, Harlem, New York, Gordon Parks, 1948, printed 2019

    Off on My Own, Harlem, New York

    1948, printed 2019 · Nicht ausgestellt · National Gallery of Art

    Doll Test, Harlem, New York, Gordon Parks, 1947, printed 2019

    Doll Test, Harlem, New York

    1947, printed 2019 · Nicht ausgestellt · National Gallery of Art

    Langston Hughes, Chicago, Gordon Parks, December 1941

    Langston Hughes, Chicago

    December 1941 · Nicht ausgestellt · National Gallery of Art

    Langston Hughes, Chicago, Gordon Parks, December 1941, printed later

    Langston Hughes, Chicago

    December 1941, printed later · Nicht ausgestellt · National Gallery of Art

    Self-Portrait, Gordon Parks, 1941

    Self-Portrait

    1941 · Nicht ausgestellt · National Gallery of Art

    Marva Louis, Chicago, Gordon Parks, 1941

    Marva Louis, Chicago

    1941 · Nicht ausgestellt · National Gallery of Art

    Washington (southwest section), D.C. Negro woman in her bedroom, Gordon Parks, November 1942, printed later

    Washington (southwest section), D.C. Negro woman in her bedroom

    November 1942, printed later · Nicht ausgestellt · National Gallery of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Flea Market, Andy Warhol, n.d.

    Andy Warhol

    Flea Market, n.d.

    Nicht ausgestellt · National Gallery of Art

    People on the street, Andy Warhol, n.d.

    Andy Warhol

    People on the street, n.d.

    Nicht ausgestellt · National Gallery of Art

    Two Tramps, a Man and a Woman, Rembrandt van Rijn, c. 1634

    Rembrandt van Rijn

    Two Tramps, a Man and a Woman, c. 1634

    Nicht ausgestellt · National Gallery of Art

    Estan Calientes (They Are Hot), Francisco Goya, 1799

    Francisco de Goya

    Estan Calientes (They Are Hot), 1799

    Nicht ausgestellt · National Gallery of Art

    Man with a Book, Marc Chagall, 1922/1923

    Marc Chagall

    Man with a Book, 1922/1923

    Nicht ausgestellt · National Gallery of Art

    Fire in the City, Marc Chagall, 1922

    Marc Chagall

    Fire in the City, 1922

    Nicht ausgestellt · National Gallery of Art

    Mother's Grave, Marc Chagall, 1922

    Marc Chagall

    Mother's Grave, 1922

    Nicht ausgestellt · National Gallery of Art

    Grandfather's House, Marc Chagall, 1922

    Marc Chagall

    Grandfather's House, 1922

    Nicht ausgestellt · National Gallery of Art