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  1. Sammlung/
  2. National Gallery of Art/
  3. Fresh Eggs
Fresh Eggs, Winslow Homer, 1874
Winslow Homer, PorträtWinslow HomerVereinigte Staaten, 1836–1910

Fresh Eggs

1874 · Drawing

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vorgestern
Unverändert seit
19. Aug. 2026
Quelle
Sammlungsdaten des Museums selbst
Auf der KarteMuseumsseite

Angaben

1874 · mit 38 Jahren
18361910
Inventarnummer
1994.59.26

Was es zeigt

FemaleDomestic activitiesRoosterBarn interior

Im Katalog

Zeichnungen & AquarelleAquarellRealismusImpressionismus19. JahrhundertAmericanRealist

Quellen

  • National Gallery of Art: die offenen Daten des Museums · abgerufen vor 8 Tagen
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von Winslow Homer

Das ganze Leben
  1. summer 1873

    Summer in Gloucester: watercolour begins

    In the summer of 1873 in Gloucester Homer began painting in watercolour regularly, naturally and confidently from the start; critics were puzzled at first (“A child with an ink bottle could not have done worse”), but the watercolours sold more readily and considerably improved his finances. From then on he seldom travelled without paper, brushes and water-based paints.

  2. 1875

    Gives up illustration for painting

    In 1875 Homer, after nearly twenty years as an illustrator, quit commercial illustration and vowed to live on his paintings and watercolours alone. Despite his excellent critical reputation, his finances remained precarious.

  3. 1876

    The Centennial Exposition in Philadelphia

    “Snap the Whip” and “Breezing Up” were shown at the Centennial Exposition; the New York Tribune wrote that it could not remember a picture in any exhibition that could be named alongside “Breezing Up”. Henry James confessed that he detested Homer's subjects of the time, yet “to reward his audacity, he has incontestably succeeded”.

  4. c. 1876

    Visits to Virginia

    Around 1876 Homer visited Petersburg, Virginia (apparently to see what had become of the lives of former slaves), and painted rural African American life, the most unaffected views of it at the time, such as “Dressing for the Carnival” (1877).

Mehr von Winslow Homer

Alle Werke
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Metropolitan Museum of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Metropolitan Museum of Art

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · National Gallery of Art

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Metropolitan Museum of Art

The Studio, Winslow Homer, 1867

The Studio

1867 · Metropolitan Museum of Art

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Metropolitan Museum of Art

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · National Gallery of Art

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Metropolitan Museum of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888