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  3. Farming Family
Farming Family, August Sander, c. 1910
AAugust SanderDeutschland, 1876–1964

Farming Family

c. 1910 · Photograph · 21.59 × 28.58 cm

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Minneapolis Institute of Art

Minneapolis, Vereinigte Staaten

SaalG365

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 3 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

In the 1920s and 1930s, in his studio and around Cologne, Germany, August Sander (1876 – 1964) photographed every type of person he came across, in an attempt to capture the then-changing and diverse German society as a whole, in a project entitled “People of the 20th Century.” This endeavor is largely considered to be one of the most monumental collective portraits created in photographic history. Sander presented each of his subjects as entirely individual within their respective categories: Farmers, Workers, Women, Artists, and Urban Inhabitants as well as Handicapped people and Death Portraits. (A list of these categories is on the right.) Altogether, they present their peculiarities and unrepeatable details as well as how they are representative of a broader ‘type’ of person. Many of these portraits were published in his book Face of Our Time (1929).

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Sander captured a version of Germany that included many people who the Nazi Party considered to be “undesirable” and didn’t fit the Aryan vision that they sought to maintain. The Nazis suppressed Sander’s project and destroyed the printing block of the book, preventing him from printing additional copies. Sander and his family moved to Kuchhausen in the Westerwald region in 1942, taking with them a large portion of his archive, including many glass negatives from People of the 20th Century. During the war, his Cologne studio was bombed, but the 25, 000 to 30, 000 glass negatives he left in the cellar survived, only to be destroyed in a fire in 1946. This incident left behind approximately 11, 000 negatives and 6, 000 prints, which includes many images from People of the 20th Century.

Minneapolis Institute of Art

Angaben

c. 1910
18761964
Inventarnummer
2007.35.182

Im Katalog

FotografienSilbergelatineabzugModerne20. JahrhundertDeutschland

Quellen

  • Minneapolis Institute of Art
  • Bild: Minneapolis Institute of Art — © Die Photographische Sammlung/SK Stiftung Kultur – August Sander Archiv, Cologne / Artists Rights Society (ARS), New York 2017

Mehr von August Sander

Alle Werke
Bohemians [Willi Bongard and Gottfried Brockmann], August Sander, 1922-25

Bohemians [Willi Bongard and Gottfried Brockmann]

1922-25 · Museum of Modern Art

Police Officer, August Sander, 1925

Police Officer

1925 · Museum of Modern Art

Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz], August Sander, c. 1925

Proletarian Intellectuals [Else Schuler, Tristan Rémy, Franz Wilhelm Seiwert, Gerd Arntz]

c. 1925 · Museum of Modern Art

Painter [Anton Räderscheidt], August Sander, 1926

Painter [Anton Räderscheidt]

1926 · Museum of Modern Art

Girl in Fairground Caravan, August Sander, 1926-32

Girl in Fairground Caravan

1926-32 · Museum of Modern Art

Member of Parliament (Democrat), August Sander, 1927

Member of Parliament (Democrat)

1927 · Museum of Modern Art

Match-seller, August Sander, 1927

Match-seller

1927 · Museum of Modern Art

Bricklayer, August Sander, 1928

Bricklayer

1928 · Museum of Modern Art

Im selben Saal · G365, Minneapolis Institute of Art

Museumsseite
Eternity, Deana Lawson, 2017

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